1. King uses his description of segregation as the basis for an argument. What is the central claim of that arguments? What does King ask his audience to do about the situation he describes?
2. What does King mean by "the tranquilizing drug of gradualism"? Why does he warn his audience to resist it?
3. In King's vision, the oppressed do not rise up and crush their oppressors. Why not? How do the details by which he defines his dream fit in with what King tells his audience in paragraphs 6-7 and with his general philosophy of nonviolence?
4. King relies heavily on Figures of Speech throughout his address, particularly metaphor: The nation has given its black citizens a "bad check"; racial injustice is "quicksand"; brotherhood is a "table"; freedom is a bell that rings from the "hilltops". Choose several of these figures that you find effective, and explain how they help King to compare and contrast the "appalling condition" of the past and present with his brighter vision for the future.
Answer:
A screen director does not relinquish control on opening night in the way that a stage director does. The director remains in control of pace, structure, builds and reactions as he or she works with the cinematographer and editor to stitch together a disparate collection of shots, score, sfx, cgi, audio, etc into a whole movie. The pauses, builds, responsiveness to an audience that actors read and manage on stage are the business of the director in a screen production. Once the actors have gone home there is still major work to do before it reaches the audience.
Answer:
<em>e.</em><em> </em><em>a </em><em>fashion </em><em>movement</em>
<em>may </em><em>be.</em><em>.</em><em>.</em><em>.</em>
False. There wasn't any show of Goliath in his sculpture
The answer of your question is C
