Answer:
Brian Jungen (born April 29, 1970 in Fort St. John, British Columbia) is an artist of Dane-Zaa and Swiss ancestry living and working in the North Okanagan of British Columbia.[2] Working in a diverse range of two and three dimensional materials "Jungen is widely regarded as a leading member of a new generation of Vancouver artists".[3] While Indigeneity and identity politics have been central to much of his work, Jungen has "a lot of other interests" and themes that run through his oeuvre.[4] His work addresses many audiences' misconception that "native artists are not allowed to do work that is not about First Nations identity", by making poetic artworks that defy categorization.
Explanation:
Answer:
my answer in The rule of third
I think that true is the right answer
The Harlem Renaissance was a period of rich cross-disciplinary artistic and cultural activity among African Americans between the end of World War I (1917) and the onset of the Great Depression and lead up to World War II (the 1930s). Artists associated with the movement asserted pride in black life and identity, a rising consciousness of inequality and discrimination, and interest in the rapidly changing modern world—many experiencing a freedom of expression through the arts for the first time.
While the Harlem Renaissance may be best known for its literary and performing arts—pioneering figures such as Langston Hughes, Zora Neale Hurston, Duke Ellington, and Ma Rainey may be familiar—sculptors, painters, and printmakers were key contributors to the first modern Afrocentric cultural movement and formed a black avant-garde in the visual arts. (Hope this helped!)
