I connotative interpretation is when the viewer judges a painting not for the content of the image but what emotions the painting evokes and what deeper meanings the painting has.
E.g. Picasso's masterpiece, Guernica, is a painting that heavily relies on connotative interpretation due to its roots in political activism and a rejection of the violence and horrific events of The Spanish Civil War.
<span>Pablo Ruiz Picasso was born on October 25, 1881, in Málaga, on the southern Spanish coast. He was christened Ruiz after his father, and Picasso after his mother, in the traditional Spanish way. His background was modest; his father, José Ruiz Blasco, supported his family by teaching drawing at the local art school. Picasso was introduced to art by his father, who loved to paint the pigeons that flocked in the plaza outside the family home. Sometimes Picasso's father asked his young son to finish his paintings for him; the precocious boy was more than able to do so. By the time he was 13, his budding talent already overshadowed his father's. He very quickly grasped naturalistic conventions in his drawing; he said later, "I never drew like a child. When I was 12, I drew like Raphael." The imagery of his earliest work was derived from both conventional academic studies–the usual subjects that artists trained themselves on at the time, such as figure studies based on plaster casts–and his fascination with the bullfight, which he shared with his father.</span>
In China seals were used since at least the Shang dynasty. In the Western Zhou, sets of seal stamps were encased in blocks of type and used on clay moulds for casting bronzes. By the end of the 3rd century BC seals were also used for printing on pottery. In the Northern dynasties textual sources contain references to wooden seals with up to 120 characters.
Also, Stone and bronze blocks
Woodblock printing (200 AD)
Legendary origins
Lithography
Lithography
etc.
