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kaheart [24]
3 years ago
14

For this assessment, you will write at least one paragraph comprised of four to five sentences that describes how a written and

visual narrative in an exhibition can affect the feeling and/or meaning of the overall show. Be sure to touch on how a narrative differs from a theme. Think about how the artwork is laid out and how the narrative is conveyed to the viewer. Write in complete sentences using correct spelling, grammar, capitalization, and punctuation.​
Arts
1 answer:
tekilochka [14]3 years ago
7 0

Answer:

certain words and or sentences can affect the reader because the reader is so deep into the story that they end up getting their own emotions confused with it as they are reading. The brain is entirely focused on the words being written, so that leaves more room for the story to play with the reader's emotions. Certain words as in terrifying, horrifying, and traumatized, can Weevil reader understanding that a person in the story, or them, is feeling fear. Other words such as beaming, happy, and bright, give the reader a more positive outlook on the emotions that they are feeling and the book. The Narrative can differ from a theme by stating different conflicts that the characters are in, and stating how they are feeling. A thing does not have to apply to every single sentence in the book, but it should still be used as a main idea throughout the entire writing process.

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Explanation:

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A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.

At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.

Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.

hope it helps

4 0
3 years ago
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Answer:

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Explanation:

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Explanation:

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