Answer:
a is the answer good luck!
Explanation:
Answer:
<u>What kind of man is Dexter? Does he deserve sympathy, criticism or both? </u>
Dexter Green is an ambitious person who wishes to one day golf with the wealthy individuals he caddies for as a young man. He is attracted to wealth and also becomes infatuated with Judy as a teenager. As Dexter gets older, he graduates from a prestigious East Coast college and pursues a career as a successful businessman. Dexter is a hard worker and big dreamer who is not an entitled snob. Dexter also remains fixated on the ideal life as a rich man with Judy as his partner. As years pass, Dexter learns that Judy has lost her attractive looks and settled into the role of housewife. Dexter breaks down because he knows his winter dreams are unattainable. He naive believes wealth and physical beauty have the ability to make him happy in life, causing him to be caught up in appearances.
<u>Describe Dexter’s traits and the motivations for his primary actions and feelings. </u>
Dexter has grown up around people with more money and higher social status than his family, who were grocers. The years that Dexter spent caddying at the golf club brought him into contact with people that he wanted to eventually surpass in success. As he becomes a young man, he decides "He wanted not association with glittering things and glittering people--he wanted the glittering things themselves."
While young men his age from wealthier families entered more precarious professions, including selling stocks and investing, Dexter became a practical-minded business owner and earned a fortune rather quickly. His ambition was not to befriend his social superiors; Dexter later plays golf with them and finds them limited, untalented, and boring.
Dexter himself doesn't fully understand why he pursues success and how he should be enjoying it. The narrator observes that "often he reached out for the best without knowing why he wanted it." Perhaps Dexter is caught up in the American consumerism that arose in the wake of WWI. It was easy for people to acquire more consumer goods and services during this time, and Dexter seems to have fallen into this collective enthusiasm for the things his success provides.
Explanation:
I know that this information doesn't directly answer the questions that you wanted to be answered, but from the information that I have given you, I am quite sure that you will be able to gather your own specific answer to each question.
Answer:
C) List of the dates, times, locations, and agenda topics projected for the next two years
Explanation:
This represents an informal, less rigid, more modern and relaxed language. The presentation of the list of dates, times, places and agenda topics projected for the next two years, would reinforce the importance of the events and the need for people to participate in the meetings. It would also show the relevance and grandeur of the events to the point that it is necessary to organize them so far in advance and allowing people to shape their agenda according to the occurrence of each event and the topics covered in each one.
Explanation:
Narration means the art of storytelling, and the purpose of narrative writing is to tell stories. Any time you tell a story to a friend or family member about an event or incident in your day, you engage in a form of narration. In addition, a narrative can be factual or fictional. A factual story is one that is based on, and tries to be faithful to, actual events as they unfolded in real life. A fictional story is a made-up, or imagined, story; the writer of a fictional story can create characters and events as he or she sees fit.
The big distinction between factual and fictional narratives is based on a writer’s purpose. The writers of factual stories try to recount events as they actually happened, but writers of fictional stories can depart from real people and events because the writers’ intents are not to retell a real-life event. Biographies and memoirs are examples of factual stories, whereas novels and short stories are examples of fictional stories.
