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mylen [45]
2 years ago
7

Read the statement below, and then answer the question that follows it.President Obama believes that creativity is a valuable tr

ait for people to have. Explain how you can tell that the above statement is true. Write a paragraph responding to this question. Use at least two details from the passage to support your response.
from “The President’s Speech to Students” by President Barack Obama1 You’re this country’s future. You’re young leaders. And whether we fall behind or race ahead as a nation is going to depend in large part on you. So I want to talk to you a little bit about meeting that responsibi l it y.2 It starts, obviously, with being the best student that you can be. Now, that doesn’t always mean that you have to have a perfect score on every assignment. It doesn’t mean that you’ve got to get straight As all the time—although that’s not a bad goal to have. It means that you have to stay at it. You have to be determined and you have to persevere. It means you’ve got to work as hard as you know how to work. And it means that you’ve got to take some risks once in a while. You can’t avoid the class that you think might be hard because you’re worried about getting the best grade if that’s a subject that you think you need to prepare you for your future. You’ve got to wonder. You’ve got to question. You’ve got to explore. And every once in a while, you need to color outside of the lines.3 That’s what school is for: discovering new passions, acquiring new skills, making use of this incredible time that you have to prepare yourself and give yourself the skills that you’re going to need to pursue the kind of careers that you want. And that’s why when you’re still a student you can explore a wide range of possibilities. One hour you can be an artist; the next, an author; the next, a scientist, or a historian, or a carpenter. This is the time where you can try out new interests and test new ideas. And the more you do, the sooner you’ll figure out what makes you come alive, what stirs you, what makes you excited—the career that you want to pursue. . . .4 So that’s a big part of your responsibility, to test things out. Take risks. Try new things. Work hard. Don’t be embarrassed if you’re not good at something right away. You’re not supposed to be good at everything right away. That’s why you’re in school. The idea, though, is that you keep on expanding your horizons and your sense of possibility. Now is the time for you to do that. And those are also, by the way, the things that will make school more fun. 5 Down the road, those will be the traits that will help you succeed, as well—the traits that will lead you to invent a device that makes an iPad look like a stone tablet. Or what will help you figure out a way to use the sun and the wind to power a city and give us new energy sources that are less polluting. Or maybe you’ll write the next great American novel. . . .6 But I also want to emphasize this: With all the challenges that our country is facing right now, we don’t just need you for the future; we actually need you now. America needs young people’s passion and their ideas. We need your energy right now. I know you’re up to it because I’ve seen it. Nothing inspires me more than knowing that young people all across the country are already making their marks. They’re not waiting. They’re making a difference now. . . .7 There are students like Will Kim from Fremont, California, who launched a nonprofit that gives loans to students from low-income schools who want to start their own business. Think about that. So he’s giving loans to other students. He set up a not-for-profit. He’s raising the money doing what he loves—through dodgeball tournaments and capture-the-flag games. But he’s creative. He took initiative. And now he’s helping other young people be able to afford the schooling that they need. . . .8 The point is you don’t have to wait to make a difference. Your first obligation is to do well in school. Your first obligation is to make sure that you’re preparing yourself for college and career. But you can also start making your mark right now. A lot of times young people may have better ideas than us old people do anyway. We just need those ideas out in the open, in and out of the classroom. . . .9 When I meet young people like yourselves, when I sit and talk to [a student at this school], I have no doubt that America’s best days are still ahead of us, because I know the potential that lies in each of you. Soon enough, you will be the ones leading our businesses and leading our government. You will be the one who are making sure that the next generation gets what they need to succeed. You will be the ones that are charting the course of our unwritten history. And all that starts right now—starts this year. . . .
English
1 answer:
umka2103 [35]2 years ago
7 0

Answer:

i know some thing about this but it so big pragraphs but i cannot tell ever thing but i try to explain the thing

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What was Gerald Graff’s main argument in the article?
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Answer:

Historian of the profession and of the profession’s arguments, influential commentator and spirited critic of the educational practices that havedefined literature and composition classrooms, forceful advocate for the profession in the public sphere—Gerald Graff stands as the profession’s indomitable and indispensable Arguer-in-Chief. In his books Literature against Itself, Professing Literature, Beyond the Culture Wars, and Clueless in Academe, Graff invites all parties—students, teachers, scholars, citizens—to gather where the intellectual action is, to join the fray of arguments that connect books to life and give studies in the humanities educational force.

    Chicago born and educated in Chicago’s public schools and at the University of Chicago and Stanford University, he became John C. Shaffer Professor of English and Humanities and chair of the English department at Northwestern University, then George M. Pullman Distinguished Service Professor of English and Education at the University of Chicago, then associate dean and professor of English and education at the University of Illinois, Chicago. A founder of Teachers for a Democratic Culture, a president of the Modern Language Association, a presence in Chicago-area high schools, a speaker at over two hundred colleges and universities, Graff has taken our profession to task for the gap between academic culture and the students and citizens of our nation. Critic from the City of the Big Shoulders, he has argued compellingly that the strength of our profession resides in the plurality of its voices and the potential of its classrooms to reveal sprawling, brawling democratic vistas.

Francis March Award for Distinguished Service to the Profession of English, Modern Language Association of America, January 2011

   

Graff’s major influence on education, particularly on the classroom practice of teachers, is reflected today in the Common Core State Standards for K-12 schools:

the Standards put particular emphasis on students’ ability to write sound arguments on substantive topics and issues, as this ability is critical to college and career       readiness. English and education professor Gerald Graff writes that “argument literacy” is fundamental to being educated. The university is largely an “argument culture,” Graff contends; therefore, K–12 schools should “teach the conflicts” so that students are adept at understanding and engaging in argument (both oral and written) when they enter college. . . .            —Appendix, “The Special Place of Argument in the Standards”

Graff’s argument that schools and colleges should respond to curricular and cultural conflicts by “teaching the conflicts” themselves is developed in such books as Professing Literature (1987; reprinted in a 20th Anniversary edition in 2007), which is widely regarded as a definitive history, and Beyond the Culture Wars (1992).   His idea also inspired a series of “Critical Controversies” textbooks which Graff co-edited with James Phelan.

In Clueless in Academe (2003) Graff analyzed (in the book’s subtitle) “how schooling obscures the life of the mind,” and argued that schools and colleges need to demystify academic intellectual culture for all students, not just the high achieving few.  This book led Graff and his wife Cathy Birkenstein to publish a writing textbook, They Say/I Say: The Moves That Matter in Academic Writing (2006), which continues to set records for adoptions by colleges and high schools.  Graff (and now Graff and Birkenstein) has given hundreds of invited lectures and workshops, and his work has been the topic of three special sessions at MLA conferences and part of a special issue of the journal Pedagogy.  Graff served as the President of MLA in 2008.

Explanation:

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2 years ago
You read through a blog post from a co-worker that's about two different topics. is this good or bad?
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According to the blog, which features coworkers talking about two unrelated issues, it is bad.

  • A single topic should be the focus of your blog post because it helps readers and search engines understand what the content is about.
  • Search engines will rank your content for the primary keyword you use in the piece, which increases reader engagement.
  • The readers and search engines won't understand the purpose of your post if you cover too many topics in it.

Why is it crucial to discuss ideas and information with your coworkers?

The feasibility of teamwork, cohesion, and communication can all be improved by exchanging viewpoints on best practices and alternative or superior methods of doing things.

To learn more about Co- Workers, visit:

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#SPJ4

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1 year ago
Email: Hi Cousin Martina, How are you? We are having a surprise party on Friday 23rd September at 3 p.m. because it's Mom's 40th
ElenaW [278]

The question above wants to analyze your writing skill. For that reason, I can't write your email, but I'll show you how to do it.

To write an email you must pay attention to the language that must be used. Formal language should be used whenever you are going to send this email to someone who is not intimate, or when the email has a professional, academic, or any other formal nature.

As the email you are about to write will be read by your cousin, you can write it in informal and relaxed language.

<h3>Steps to write an email</h3>
  • Start with a greeting, which could be "Dear Cousin."
  • Write the reason why you are writing this email.
  • Write whether or not you will be able to attend the party.
  • If you can't make it, explain why and apologize.
  • If you can make it, show how excited you are about this event.
  • Say goodbye cordially.

More information on how to write an email at the link:​

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2 years ago
2) Look at the panel on page 136 in which the narrator is pressed between her mother and grandmother. What can you infer from th
Masteriza [31]

In "Persepolis", we can infer the following after looking at the panel where the narrator is pressed between her mother and grandmother:

- We can infer that the mother and the grandmother are speaking in hushed voices, which is why they are so close to each other to the point of pressing the narrator.

- We can also infer they are very worried about the narrator's father's safety, so they do not want the narrator to hear what they have to say.

  • "Persepolis" is a graphic novel by Marjane Satrapi based on her life experiences growing up in Iran.

  • At a certain point in the novel, when Marjane is just a child, her father goes out to take pictures of people demonstrating in the streets.

  • Taking pictures iss forbidden, and her father has even been in jail before.

  • In the panel mentioned in the question, Marjane's mother and grandmother are standing, close to each other, with little Marjane in the middle, pressed between them.

  • This panel helps us infer a couple of things. First, that the two women are speaking in low voices, which would explain why they are so close to each other.

  • Second, that they are extremely worried about the father and do not want Marjane to hear what they are saying.

Learn more about the topic here:

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2 years ago
How did the characters in Anne Frank's diary of a young girl develop
yKpoI14uk [10]

Answer:

In a particularly self-reflective entry, Anne thinks back on her life before coming to the annex. She says that her life was heavenly but that she was superficial and very different back then. Anne remarks that her carefree days as a schoolgirl are gone forever, but she does not miss them.

Explanation:

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