D: two of these make sense there going with all will solidify the answer as a whole
Source: Trust me Bro
Answer:
The most convincing consideration made by the author is that in America there was freedom, since no individual was responsible for maintaining aristocrats and nobles. Each person was only responsible for himself and worked to enrich himself, something that the English could not do.
Explanation:
Letters from an American Farmer is a series of texts written by J. Hector St. John de Crèvecœur. The texts are written in a letter format where the author reasons about the exploitation of america, american identity, the advantages that america has and even slavery.
The third letter is entitled "what is an American?" where the author replies that to be an American is to have freedom and autonomy. He reinforces this argument by informing that in Europe, people do not have freedom and autonomy, because they are trapped by an aristocracy that they need to maintain. In that case, workers do not work to enrich themselves, but rather their princes. This does not exist in America, where each individual is not responsible for any noble person, but for himself and works for his own success.
Answer:
Perspective is the way that one looks at something
Edmund Husserl (1859—1938) was an influential thinker of the first half of the twentieth century. His philosophy was heavily influenced by the works of Franz Brentano and Bernard Bolzano, and was also influenced in various ways by interaction with contemporaries such as Alexius Meinong, Kasimir Twardowski, and Gottlob Frege.
The central theme of “The Weary Blues” concerns the resilience of the archetypal “common” person who has times of despair or despondency. Music serves as a means of relieving pain or anxiety. The poem transcends the limitations of race, as all people have used music and poetry as a means of getting through bad times. The cause of the blues singer’s sense of isolation, loneliness, pain, and trouble is deliberately vague. His inability to identify the exact cause of his trials and tribulations, or the narrator’s unwillingness to speculate upon it, enhances the universality of those feelings. The unspoken but evident complexity of the interrelationship between the player and his piano and the narrator and the musician corresponds to the complexity and interrelatedness of musical and poetic traditions. The poem, in its unconventional thematic and formal structure, advocates an equal acceptance of the two.
