Answer:
a. the unit of repetition in a pattern
Explanation:
<em>hi</em><em>!</em><em> </em><em>im</em><em> </em><em>chimken</em><em> </em><em>and</em><em> </em><em>i</em><em> </em><em>have</em><em> </em><em>your</em><em> </em><em>answers</em><em>!</em><em> </em>
you were pretty adorable in this pic :))
<em>:</em><em>)</em>
Not sure about the 1st one, but it sounds like a cruel irony, or karma, where one does something bad, and later on the same bad thing gets done to you. Breaking the fourth wall is when a character in a comic, book, or tv show/movie talks to the reader, or states that he knows that there is an audience and he is just a character (comes from the old tv sets where there were only 3 walls, and the fourth wall was where the audience would watch in, and cameras would shoot: so when they "broke the fourth wall", they looked out at the audience and talked to them). Externalised conscience is essentially, as far as i know, when a character decides between what he wants to do and what he should do, and there are usually many soliliquies (excuse the spelling) while he makes the decision. Not sure if this is all 100% correct, but that's what my non-drama knowledge allows me, and hope it helps you out a little bit.
Answer: I choose the painting, "Women in the garden" by Claude Monet
Explanation:
Women in the garden was created by Claude Monet in 1866 using oil paints. In the painting he depicts his future wife, Camille Doncieux posing among other girls surrounded by trees and lush garden greens. Monet painted this painting en plein air which means outside. He was worried about having all the wrong angles so he dug a trench for his canvas after painting the upper half in order to have as realistic point of view as possible. In the painting the girls appear to be wearing beautiful gowns that Monet got the inspiration for from a magazine. Many of Monet's works of art where sent to Paris salons and loved by the public but when he sent his painting Women in the garden to be hung among the others for all to see it was rejected in 1867 because they claimed it was weak in the narrative and wouldn't show it in their museum because of his heavy brushstrokes. claude monet at the time was barely making it by due to not having alot of money so fellow artist Jean Frederic Bazille bought his painting in order to support him in his time of need.
