Swift is criticizing the English government and the wealthy for creating poverty in Ireland. He uses verbal irony when he proposes that eating children is the way to resolve the growing problem of impoverished children. By developing this idea and implying that the English will not mind if the Irish use children for food, Swift suggests that the English government is callous and cruel.
Answer:
All the above
Explanation:
Because a good detective is all of these things
Answer:
Based on the lines, the two interacting central ideas of the poem are:
B. Events happen in life regardless and often contrary to one's attempts at prediction, and we cannot stop troubles but instead just protect ourselves.
Explanation:
"Storm Warnings" is a poem by Adrienne Rich in which the speaker analyzes how little we can do in terms of predicting and changing the outcome of things. She has instruments to help her see time and weather, but she "know[s] better than the instrument." She did not need a weather glass to know a storm was coming. Also, the weather glass may warn her, but it cannot do anything to protect her. She must protect herself.
The same idea can be extended to life in general. Having a clock does not mean we are masters of time. Life events will come, independently of how well we can foresee them, and there is not much we can do to stop them. All we can do is protect ourselves: ". . . the wind will rise, / We can only close the shutters."
With that in mind, we can choose letter B as the best option.
“The Texas spirit of fun and hospitality lights up Paseo del Rio, the San Antonio Riverwalk. This travel destination shimmers with color and light. Along the left bank, two lines of café umbrellas—tropical red, Cancun blue, emerald green, lemon yellow—shelter outdoor diners and adorn the cobblestone walk. Above the rainbow rows of umbrellas, white lights strung between oak trees along the walking path glimmer softly in the dusk.
Miniature lights rim the eaves and roofs of the buildings behind the diners and illuminate the drape of the oak branches bending over them.
Diners can stay warm on cool, evenings with fajitas and margaritas as they watch the lights of the Riverwalk and the sunset glimmer upon the water. As they watch, a steady flow of trimmed boats putter to midstream from under the bridge on the right side of the river.
On this side of the river, the rock walls and the footbridge showcase the beauty of the area’s natural elements and earth tones. Lights trace the arch under the footbridge. Luminaries sit atop both sides of the bridge’s stone-grey railings. At the far side of the bridge, more luminaries light the path along the water’s edge.
People fill the path with laughter and conversation as they stroll beneath trees shimmering with countless lights. All along the river, this canopy of lights buffers the Riverwalk from the buildings rising in the distance. The lights, the good food, the water, the spectacle of color, the festive atmosphere provide a retreat—Texas style!”
In fact, in the second version, the description is nice but lacks the enchantment of details that makes the first one so attractive. In the first version one can almost feel like if we were in there. It's fantastic description that motivates us to rush traveling there.
