Renaissance Revival architecture is a subset of 19th-century architectural revival forms that were neither Greek Revival nor Gothic Revival but instead took inspiration from a variety of classicizing Italian approaches.
<h3>What is Neoclassical?</h3>
Neoclassicism was a Western cultural movement that took influence from classical antiquity's art and culture in the decorative and visual arts, literature, theater, music, and architecture.
Virgil Reading to Augustus (1812) and Oedipus and the Sphinx (1812) are two examples of his Neoclassical work (1864).
Thus, option B is the correct style of architecture.
For more information about Neoclassical refer to the link:
brainly.com/question/10019130
Ancient Egyptian art is the painting, sculpture, architecture and other arts produced by the civilization of ancient Egypt in the lower Nile Valley from about 3000 BC to 30 AD. Ancient Egyptian art reached a high level in painting and sculpture, and was both highly stylized and symbolic. It was famously conservative, and Egyptian styles changed remarkably little over more than three thousand years. Much of the surviving art comes from tombs and monuments and now there is an emphasis on life after death and the preservation of knowledge of the past. The wall art was never meant to be seen by people other than the afterlife for when they needed them.
Some typical characteristics of graphic art works are c creativity consistency problem-solving able to take criticism and patience
Answer:
The fundamental principles of Martha Graham's technique for choreography are based on
- the contraction and liberation of the body, a technique that was developed as a stylized representation of the breath and, depending on the context, symbolized the dancer's surrender to the emotions.
- the displacement of the body, considering the fall and the recovery, manipulating the body's center of gravity to control the moment and direction of a fall.
- the spirals, which consist of rotating the spine about 45° around its vertical axis, so that a dancer facing the front of the stage aligns his shoulders with the "Via Triumphalis", an imaginary line parallel to a corner of the stage.
