Answer:
b. Giotto's experience with living through the Black Death
Explanation:
Plague, also known as the Black Death, wasn't in full epidemic in Italy during Giotto's time, but it was certainly present in the areas around Florence and Sienna where he was living and working.
Giotto's work was influenced by Black Death, and his paintings became more dramatic and realistic as his surroundings and experiences were grimmer and filled with death than usual.
<u>That is how Lamentation, a fresco depicting the death of Jesus Christ looked over by the angels and followers, is influenced by the plague. He used the real-life imagery of death and suffering over the illness that was present during his time, and used it to wake the emotional feeling that was caused by the death of Jesus Christ. </u>
<span>1) Henri Matisse; (2) autobiographical art</span>
Answer:
The Ancient Near East is the name given to early civilizations within a region roughly corresponding to the modern Middle East: Mesopotamia (modern Iraq and Syria), Persia (modern Iran), Anatolia (modern Turkey), the Levant (modern Syria, Lebanon, Israel, Palestine, and Jordan), and Ancient Egypt, from the rise of Sumer in the 4th millennium BCE until the region's conquest by Alexander the Great in the 4th century BCE, or covering both the Bronze Age and the Iron Age in the region. As such, it is a term widely used in the fields of Near Eastern archaeology, ancient history and Egyptology. Some would exclude Egypt from the ancient Near East as a geographically and culturally distinct area. However, because of Egypt's intimate involvement with the region, especially from the 2nd millennium BCE, this exclusion is rare.
The ancient Near East is considered the cradle of civilization. It was the first to practice intensive year-round agriculture; it gave the rest of the world the first writing system, invented the potter's wheel and then the vehicular- and mill wheel, created the first centralized governments, law codes and empires, as well as introducing social stratification, slavery and organized warfare, and it laid the foundation for the fields of astronomy and mathematics.
Explanation:
Though never a coherent group, Realism is recognized as the first modern movement in art, which rejected traditional forms of art, literature, and social organization as outmoded in the wake of the Enlightenment and the Industrial Revolution. Beginning in France in the 1840s, Realism revolutionized painting, expanding conceptions of what constituted art. Working in a chaotic era marked by revolution and widespread social change, Realist painters replaced the idealistic images and literary conceits of traditional art with real-life events, giving the margins of society similar weight to grand history paintings and allegories. Their choice to bring everyday life into their canvases was an early manifestation of the avant-garde desire to merge art and life, and their rejection of pictorial techniques, like perspective, prefigured the many 20th-century definitions and redefinitions of modernism.
