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2 years ago

Do you have any pop songs i can re edit 1 or 3 sentences

Arts

1 answer:

professor190 [17]2 years ago

8 0

'Cause I-I-I'm in the stars tonight

So watch me bring the fire and set the night alight

Shoes on, get up in the morn'

Cup of milk, let's rock and roll

King Kong, kick the drum, rolling on like a Rolling Stone

Sing song when I'm walking home

Jump up to the top, LeBron

Ding dong, call me on my phone

Ice tea and a game of ping pong

This is getting heavy

Can you hear the bass boom? I'm ready (woo hoo)

Life is sweet as honey

Yeah, this beat cha-ching like money, huh

Disco overload, I'm into that, I'm good to go

I'm diamond, you know I glow up

Hey, so let's goExplanation:

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Which musical form is an example of Renaissance choral music sung in church? A. a cappella B. estampie C. organum D. madrigal

Mumz [18]

The correct answer is <u>Cappella</u>

choral music music sung by a choir with two or more voices assigned to each part of the melody. The name of the musical form refers to vocal music “in the style of the chapel” without instrumental accompaniment. A cappella music was only rarely performed with instruments that duplicated the vocal line.

Hope this helps! :)

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3 years ago

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krek1111 [17]

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svetoff [14.1K]

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2 years ago

Frida Kahlo, painting "The Two Fridas"was the first large-scale work done by Kahlo and is considered one of her most notable pai

Arte-miy333 [17]

The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.

Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]

Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]

According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]

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