Answer:
F
Explanation:
Easy way to remember, (my music teacher taught me this in fifth grade) <u>E</u>very <u>G</u>ood <u>B</u>oy <u>D</u>oes <u>F</u>ine. Bottom line E, the line above that would be G, the next up is B, then D, and then F.
Not sure if you still need an answer but my favorite character is Remy. He is: Brave, talented, and focused. Since the movie's main character is a rat that can talk, I would say that it is fictional and humorous. A family comedy.
Answer:
i dunnk
Explanation:
what are you trying to ask?
The correct answer is C; the idea that only one feeling should be communicated in a piece of music.
Explanation:
The Doctrine of Affections has been around since the early 17th century. The doctrine was mostly accepted by the Baroque theorists and some composers. This theory was that music was arousing to emotions in the human body and could induce involuntary response from the listener.
The main theorists of this doctrine were;
- Johann Mattheson
- Andreas Werckmeister
- Johann David Heinichen
- Athanasius Kircher
One particular song that is thought to provoke several emotions in a person is called "Der vollkommene Capellmeister." This song was written in 1739.
Learn more about the Doctrine of Affections at brainly.com/question/1145475
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Over the course of the early modern period, Europeans came to look at, engage with, and even transform nature and the environment in new ways, as they studied natural objects, painted landscapes, drew maps, built canals, cut down forests, and transferred species from one continent to another. The term “nature” meant many things during this period, from the inmost essence of something to those parts of the world that were nonhuman, such as the three famous “kingdoms” of nature: the animal, the vegetable, and the mineral. This article focuses on nature in this latter sense and broadens it out to include more recent understandings of the modern term “environment,” so as to encompass not only plants, animals, and rocks but also entire landscapes. Scholars from a wide variety of fields, ranging from the histories of science, art, and literature through historical geography, historical archeology, historical ecology, and landscape history, have long been interested in issues related to the environment and the natural world; more recently, they have been joined by practitioners of “environmental history” and additional branches of the environmental humanities and social sciences, who have drawn on these preexisting approaches and brought still further perspectives to the table.
