Shakespeare left it unclear, probably on purpose. They, themselves loyal to Pompei, are simply witnesses of the public's change of loyalty. They are also there to notice the crowd's frail affections. There is only one more mentioning of the two of them, later on in Act I, Scene 2, when Casca informs Cassius and Brutus that they have been "put to silence". It probably means they were killed or arrested.
The narrator of the story killed a man and buried him under the floor, but he constantly kept hearing the dead man's heartbeats, which led him to insanity and made him live with so much guilt.
Therefore, the correct answer is <em>C) murder causes an all-encompassing guilt.</em>
Hope this answer helps you!! Have a great day.
I would think that setting the scene of someone dying is appropriate to be in a bedroom where a sick person would most likely be (if not in a hospital) such as someone in palliative care for example and the bedroom stillness is commented on broken only by a fly and whose buzz perhaps accentuated the otherwise stillness. If the person's death was outside or in a public place it would more likely be the result of a, say an accident, or say an assassination such as that of Martin Luther King so since it is inside in a bedroom it indicates the dying is just a normal death from illness and/or old age.
Answer:
<em>The bank teller gave Kurt </em><em>a look </em><em>when he deposited a real check for twenty million dollars.</em>
Explanation:
The indefinite article <em>a/an</em> is used before nouns that are singular and countable, so there is no article before a noun that is plural.
If the word after <em>a/an</em> begins with a consonant, then we use the indefinite article <em>a</em>.
If the word after <em>a/an</em> begins with a vowel, then we use the indefinite article <em>an.</em>
The article relates to the first word of the phrase (if there are more than one, for example, there is an adjective before a noun), so if we had an adjective before the noun <em>look</em> that starts with a vowel (e.g. empty), the correct article would be <em>an</em>.
Nadine Gordimer weaves many examples of foreshadowing into "Once Upon a Time." The frame story introduces the concept of fear.
As the bedtime story begins, readers learn the family is "living happily ever after." Since such wording usually describes the end, not the beginning, of a story, readers know the happiness cannot last, or there would not be any story at all. The reference to the parents' fencing the swimming pool so the boy won't "fall in and drown" foreshadows the boy's death in his own yard. The early appearance of a "wise old witch" also portends some sort of evil curse or ill fortune. When the second paragraph of the bedtime story explains "it was not possible to insure the house. . . against riot damage," readers suspect such an event may occur. This foreshadowed event never happens; instead, it is the desire to "insure against. . . damage" that becomes the destructive force in the family's life.
The cat that keeps setting off the alarm acts as a bad omen as well. Cats and witches often portend evil, and in this case, the fact that the cat can scale the wall and get through the bars predicts that the home is not yet fully secure. The installation of the "Dragon's Teeth" fencing that makes their home look like a concentration camp, and the wife's first contradiction ("You're wrong") give a feeling of foreboding as the end of the story nears. Now the cat sleeps on the bed, yet the husband's calm assurance that "cats always look before they leap" makes readers anticipate that the cat is wiser than his human owners, and that they are leaping into danger that they haven't fully considered.
The foreshadowing Gordimer uses helps readers stay engaged with the story as they anticipate a non-traditional ending to this "bedtime story."
