Answer: I feel like the answer would be “taken out of action,” thats my take on it…
Answer:
The correct answer is How-To.
Explanation:
The non-fiction genre proposes a writing that excludes the fictitious and works with documentary material without being realistic, emphasizes the montage and the way of organizing the material, rejects the concept of verisimilitude as an illusion of reality, as an attempt to make believe that the text conforms to reality and can faithfully reflect the facts.
Inside it we can find the How-To Genre. As their name indicates, here we can find texts that explain how to do something. They contain a step by step with each of the things that we must do certain specific tasks.
An example of this would be a book that teaches you to repair an appliance.
Answer:
Victory
Explanation:
The poem “Success is counted sweetest” by Emily Dickinson reflects the idea that the true victory in life comes from loss and defeat. Dickinson speaks of this message through the depiction of the battlefield.
The Purple Host is the army who has conquested the other side – they have succeeded in victory in the battle. Yet, <u>Dickinson is sure that the Purple Host and those under its flag can actually appreciate and enjoy the victory full as the ones who nearly have won the battle</u><u>. Only defeat and the nearness of triumph that slipped away bring the full significance of the success.</u>
<u>Therefore, even if the Purple Host has achieved the wanted victory, Dickinson does not think they have achieved success. </u>
1. First, Shakespeare wrote his plays in blank verse featuring iambic
pentameter because that was the style of the day. Think of it as a way
for an author to show off--and it really is quite impressive if one
thinks about it. There are very few authors who can create characters
and plots as rich as Shakespeare's and write their lines in a consistent
meter.
2. Secondly (I think that this might be what you are asking), when
Shakespeare's characters speak in verse (iambic pentameter), they are
usually the noble (aristocratic) characters, and their speech represents
their high culture and position in society. If you simply look at one
of Shakespeare's plays, you can often tell when the commoners are
speaking because their lines will go from margin to margin (this is
true, too, of nobles who are acting like commoners--whether they're
involved in evil schemes, losing their minds, or are drunk!). In
contrast, Shakespeare's other characters' lines should sound and look
different to you--they should sound "sing-songy" and should look like
poetry with uneven lengths.
A good example of this is from Othello. When Iago is speaking to his
peers or to those in position of authority over them, his speech is in
verse, but when he is plotting and talking to Roderigo (especially at
the play's beginning), his lines are not in iambic pentameter--this
represents the bawdy nature of his speech and, in truth, the baseness of
his character.
