I believe the correct answer is E. bas-relief.
<span>bas-relief (meaning: low relief) is one of the
sculpture technique, alongside high-relief and intaglio, in which figures and elements
are just barely more distinguished than the background (usually overall flat). Bas-relief technique is really old, the earliest
known bas-reliefs are on the walls of caves and can also be found in Roman or
Greek sculpture (for example: bas-relief sculptures of Poseidon, Apollo and
Artemis on Parthenon).</span>
Development time is a chemical film process not a digital process.
Music is the most abstract of all art forms. It means it is the least related to our real visual or auditory experience. However, composers willingly use imagery to create a link with our particular life experiences, most often in nature. For example, in Smetana's symphonic poem "Vltava", the listener can almost visualize the swirling river. Beethoven's "Symphony No. 6" (also known as "Pastoral Symphony") is also full of natural sounds and harmonies.
Answer:
Visual art manifests itself through media, ideas, themes and sheer creative imagination. Yet all of these rely on basic structural principles that, like the elements we’ve been studying, combine to give voice to artistic expression. Incorporating the principles into your artistic vocabulary not only allows you to objectively describe artworks you may not understand, but contributes in the search for their meaning.
The first way to think about a principle is that it is something that can be repeatedly and dependably done with elements to produce some sort of visual effect in a composition.
The principles are based on sensory responses to visual input: elements APPEAR to have visual weight, movement, etc. The principles help govern what might occur when particular elements are arranged in a particular way. Using a chemistry analogy, the principles are the ways the elements “stick together” to make a “chemical” (in our case, an image).
Another way to think about these design principles is that they express a value judgment about a composition. For example, when we say a painting has “unity” we are making a value judgment. We might also say that too much unity without variety is boring and too much variation without unity is chaotic.
The principles of design help you to carefully plan and organize the elements of art so that you will hold interest and command attention. This is sometimes referred to as visual impact.
Explanation:
