<span>Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army, while 30
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre-stroke 35
Shatter'd and sunder'd.
Then they rode back, but not
Not the six hundred. </span>
Probably a little too late, but "Brenton's poem includes the expected comparisons to the beauty of his wife's hair and mouth, but he goes beyond praising mere physical beauty to create a comparison about her thoughts. Brenton's poem reveals a modern outlook with his inclusion of less expected parts: her eyelashes, brows, and waist. Both Shakespeare and Spenser stick to the usual body parts: hair, eyes, cheeks, and breast. All express their love, but Shakespeare portrays his loved one as a "real" woman, not a perfect woman. Brenton's wife seems more real than Spenser's, who is idealized the most with rich comparisons like gold, rubies, and pearls. Brenton's poem also uses more modern and unexpected comparison: "the waist of an otter," "teeth like the tracks of white mice on the white earth," "shoulders of champagne." His images are more vivid because they are less familiar.
I would say that the best summary is <span>Hyde drinks from the glass and begins staggering around. Lanyon watches Hyde’s features change and leaps back in horror.
This description would reveal how each character reacted one to the drink and the other one to the drink reaction. While Hyde experimented physical changes, Layon observed them in "horror".
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I think it’s C by different their actions
Hjjj
