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Helga [31]
3 years ago
6

what is the answer to this question 1. a 14 year girl wants a 14 year old boy/man in her life what should she do

Arts
1 answer:
Shkiper50 [21]3 years ago
7 0
I mean yes love life but i don’t like it to me was it like a girl or something
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Symbolism in the art to link global grassroots movements in political struggles
mars1129 [50]

A grassroots movement is one which uses the people in a given district, region, or community as the basis for a political or economic movement.[1] Grassroots movements and organizations use collective action from the local level to affect change at the local, regional, national, or international level. Grassroots movements are associated with bottom-up, rather than top-down decision making, and are sometimes considered more natural or spontaneous than more traditional power structures.[2]

Grassroots movements, using self-organization, encourage community members to contribute by taking responsibility and action for their community.[3] Grassroots movements utilize a variety of strategies from fundraising and registering voters, to simply encouraging political conversation. Goals of specific movements vary and change, but the movements are consistent in their focus on increasing mass participation in politics.[4] These political movements may begin as small and at the local level, but grassroots politics as Cornel West contends are necessary in shaping progressive politics as they bring public attention to regional political concerns.[5]

The idea of grassroots is often conflated with participatory democracy. The Port Huron Statement, a manifesto seeking a more democratic society, says that to create a more equitable society, "the grass roots of American Society" need to be the basis of civil rights and economic reform movements.[6] The terms can be distinguished in that grassroots often refers to a specific movement or organization, whereas participatory democracy refers to the larger system of governance.[7]

6 0
4 years ago
mysore became powerful during the rule of haider ali and tipu sultan. explain this statement with examples.
const2013 [10]

Answer:

Hyder Ali and Tipu Sultan fought against Britain during the years 1760-1799 and even won several wars. With this, they maintained the sovereignty of the kingdom. This is how Hyder Ali and Tipu Sultan made Mysore powerful.

Explanation:

Later, Hyper Ali died a natural death and Tipu Sultan was martyred in the fourth war of Mysore against British forces in the battlefield at srirangapuram, Mysore, India. There are multiple reasons for his defeat, as his own ministers betrayed him: Nawab of Arcot, Maharanis of Mysore, Nizam of Hyderabad supported British forces against Tipu Sultan and Maratha forces fought against him too.

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3 years ago
Can someone do research on Arman Fernandez and include stuff like who was he, what i spired him and why you like his work etc
mezya [45]

Answer:Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave ("cachet", "allures d'objet") to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects.

Arman's father, Antonio Fernandez, an antiques dealer from Nice, was also an amateur artist, photographer, and cellist. From his father, Arman learned oil painting and photography. After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman began studying at the École Nationale des Arts Décoratifs in Nice. He also started judo at a police school in Nice where he met Yves Klein and Claude Pascal. The trio bonded closely on a subsequent hitch-hiking tour around Europe.

Completing his studies in 1949, Arman enrolled as a student at the École du Louvre in Paris, where he concentrated on the study of archaeology and oriental art. In 1951, he became a teacher at the Bushido Kai Judo Club in Madrid. During this time he also served in the French military, completing his tour of duty as a medical orderly during the Indo-China War.

Early on, it was apparent that Arman's concept of the accumulation of vast quantities of the same objects was to remain a significant component of his art. Ironically, he had originally focused more attention on his abstract paintings, considering them to be of more consequence than his early accumulations of stamps. Only when he witnessed viewer reaction to his first accumulation in 1959 did he fully recognize the power of such art. In 1962, he began welding together accumulations of the same kinds of metal objects, such as axes.

Inspired by an exhibition for the German Dadaist Kurt Schwitters in 1954, Arman began working on "Cachets," his first major artistic undertaking. At his third solo exhibition held in Paris's Galerie Iris Clert in 1958, Arman showed some of his first 2D accumulations he called "cachets." These stamps on paper and fabric proved a success and provided an important change of course for the young artist's career.

At the time, he was signing with his first name as an homage to Van Gogh, who also signed his works with his first name, "Vincent." And, thus, in 1957, Arman chose to change his name from Armand to Arman. On January 31, 1973, upon becoming a citizen of the United States, he took the American civil name, Armand Pierre Arman. Nevertheless, he continued to use "Arman" as his public persona.

From 1959 to 1962, Arman developed his most recognizable style, beginning with his two most renowned concepts: "Accumulation" and "Poubelle" (French for "trash bin"). Accumulations were collections of common and identical objects which he arranged in polyester castings or within Plexiglas cases. His first welded accumulations were created in 1962.

The "Poubelles" were collections of strewn refuse. In 1960, he filled the Galerie Iris Clert in Paris with garbage, creating "Le Plein" ("Full Up") as a counterpoint of the exhibition called "Le Vide" at the same gallery two years earlier by his friend Yves Klein. These works began to garner the attention of the European art community.

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3 years ago
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