THE TRIUMPH OF DEATH, ANONYMOUS PAINTING FROM FIFTEENTH-CENTURY SICILY The figures in the foreground represent the clergy, nobili
ty, and townspeople. Developments such as the one depicted in the painting most directly contributed to which of the following in Afro-Eurasia in the fourteenth and fifteenth centuries? A. Creation of diasporic merchant communities
B. Peasant revolts against taxation and coercive labor systems
C. An increase of religious tolerance
D. An expansion of Mongol power
B. Peasant revolts against taxation and coercive labor systems
Explanation:
According to the given painting of which the general public which includes the clergy, noblemen and townspeople, the developments as shown in the painting contributed to peasant revolt against taxation and coercive labor systems.
This is because, they got inspiration from the painting to rebel against taxes and labor.