Answer:
The "One Thousand Dollars is a play by the O' Henry which described the situation of a boy called Gillian with 1000 dollars.At the beginning of the story the boy Gillian was given $1000 by the advocate of his uncle according the will after the death of Gillian's uncle.
But there was a condition.On the will Gillian's uncle wrote that Gillian had to give receipt of all his expense to the attorney. Basically he wanted Gillian to report to attorney how he spent the $1000 . Gillian assured the attorney about this and return to the club.
He asked suggestion to a fellow club member. But they could not reach to a decision for which way to spend money.So this caused a great problem to Gillian as he was confused how to spend this money.
Explanation:
Answer: Rashad's father is a strict, military type, and we learn that this is because David is also a former police officer.
The difference is the money
Answer:
(B) Hawaii is made up of several islands
Explanation:
isolation of the islands allowed species to change and adapt
quizlet
It is an early monologue in the second act of The Merchant of Venice that reveals the deepest insight into the psychological and functional motivation of antisemitism. As in most Shakespeare plays, this profound speech is delivered by a clown, in this case, Launcelot Gobbo, Shylock’s servant. Too often left out of productions, the speech gives us the inner workings of the antisemite.
Launcelot tells us that he thinks he could do better working for a Christian. He also fears that if he continues working for a Jew, he will become a Jew. Yet, as a servant, his main duty is loyalty to his master. The result is that his internal argument about whether to continue working for Shylock does not take place between “devil” and “angel” (as Renaissance allegory would lead us to expect), but between “fiend” and “devil.” Launcelot’s “Fiend” is that part of himself that wants him to leave Shylock—a desire that his class conscience tells him is disloyal and wrong. This “fiend” should be opposed by the angelic voice in favor of his employer, but Launcelot is too much the antisemite for that. Instead, he decides that “the Jew is the very devil incarnate,” and thus his employer is much worse than Launcelot’s (his own) inner “fiend” ever was. He is thus free to follow his most selfish, “fiendish” desires, leave Shylock, and take a better job:
Certainly the Jew is the very devil incarnate; and, in my conscience, my conscience is but a kind of hard conscience, to offer to counsel me to stay with the Jew. The fiend gives the more friendly counsel: I will run, fiend; my heels are at your command; I will run. (Merchant of Venice Act 2, Scene 2).