The answer is A. pp,mf,ff.
pp has a velocity of 33
mf has a velocity of 80
ff has a velocity of 112
Answer:
I would talk to them first. I would try and convince them not to and help them get off the cliff. If they already did then I would call for help and explain to the family what had happened. I feel like I wasn't much help or feel like it was my fault somehow
According to Doctor Marage, who has studied Beethoven's letters, buzzing noises and other sounds started at around 1796. Deafness broke out in 1798 and Beethoven had lost 60% of his hearing by 1801. In 1816 he was completely deaf. By 1820, when he was almost totally unable to hear, Beethoven composed his greatest works. These include the last five piano sonatas, Missa solemnis, the Ninth Symphony, with its choral finale, and the last five string quartets.
Paul Klee derived his contrapuntal procedures of drawing and painting from the "theory and practice of eighteenth-century polyphony." There is Klee's avowed preference for the music of eighteenth-century Viennese Classical composers and his application of late eighteenth-century musical terminology and techniques to pictorial art.
<h3>The relationship between what Webern and Klee created</h3>
Comparing Webern’s ideas with Klee’s doctrine of forms, very closepath of thoughts can be found. Klee understands the musical structure of the pictorial as linear active polyphony. His goal is to make visible the multidi-mensional simultaneity of the lines of visibility, drawing the drawing of lines, making visible the gerundive structure of the becoming visible. Polyphonic painting is for him “superior” because it makes visible at once, in the instant of a flash, what in music appears serially and sequentially.
Webern is also unfolding polyphony and creating another musical meaning of polyphony, by means of making audible in each sound its harmonic series, making audible in-between sounds and gerundive structure or meanwhileness of the is-sounding. Webern aims to make audible how the flash is itself a polyphony of sounds.
<h3>The difference</h3>
Klee reduces, in the phenomenological sense of this term, linearity to the drawing of the drawing of lines. Webern reduces sequential time to the in-between sounds of a series contracted in each sound. In Klee, the focus is about making visible the making visible as such. In Webern, everything is about making audible the making audible, that is, the sounds of sounding. In both, the claim for a polyphonic thought is the one for revealing the sketch-like, gerundive structure of the appearing as such, that can only appear when appearances, forms, tonalities dis-appear, becoming while in dissolution, showing the absenting way sound and colors become present as thoughts of the eyes and of the ears.
learn more about Klee and Webern: brainly.com/question/5871754