Answer:
The study of World War II Japanese American removal and incarceration remains fresh and interesting, even though it happened decades ago Despite the best efforts of those who had been uprooted, deprived of unalienable rights, and held captive against their will for over three years, little redress was to be found for more than a generation. A partial and belated governmental recognition and rectification finally came, but its insufficiency further fueled a smoldering fire that had been burning for some time. The smolder became a literary conflagration as an increasing number of scholarly works and firsthand accounts were published, decrying the abuses of incarceration, criticizing euphemisms like “relocation,” and working to create a public sympathy and awareness of the injustices done to these American citizens. Prejudice and rectification are still the major themes of the most recent scholarly work, but a close reading of primary sources, from the imprisonment experience through the present day, reveals that those afflicted by this heinous ordeal and their descendants want the world to understand something else. The story of what happened to this victimized yet amazing people has been told. The sufferers want us to comprehend not just what happened to them, but what they did about it, how they survived in these camps, and what this perseverance says about their indomitable spirit. They want to be seen as transcendent survivors who displayed dignity and patience, and not as aggrieved victims.
Keywords: World War II, Japanese, American, Internment, Incarceration
Suggested Citation:
Smith, Colin, Survival of Spirit: A Social History of the Incarcerated Japanese Americans of World War II (December 7, 2015). Survival of Spirit: A Social History of the Incarcerated Japanese Americans of World War II, 2015, Available at SSRN: https://ssrn.com/abstract=3258732
Explanation:
Survival of Spirit: A Social History of the Incarcerated Japanese Americans of World War II
Survival of Spirit: A Social History of the Incarcerated Japanese Americans of World War II, 2015
36/100 is 36% because 36/100 is equal to .36 which is also equal to 36%.
The Voodoo Macbeth is the nickname provided to the 1936 New York creation of Shakespeare's play- Macbeth. Orson Welles was the one who tailored and directed the play, He stimulated the actions-setting from cold Scotland to an imaginary Caribbean land mass. He employed a completely Black cast. His production received this title for transformed play because of the Haitian voodoo that was used to replace the task of Scottish witchcraft. It was a theatrical sensation.
From the details expressed, it is clear to state that;
"voodoo drums were played during the performance" which assisted in changing the setting of the play from Scotland to a Caribbean island.
Answer:
Original ideas, like the write-up of results from your own research or projects, do not require citations.
Explanation:
