Hatshepsut was the first female pharaoh of Egypt. She reigned between 1473 and 1458 B.C. Her name means “foremost of noblewomen.”
Her rule was relatively peaceful and she was able to launch a building program that would see the construction of a great temple at Deir el-Bahari at Luxor. She also launched a successful sea voyage to the land of Punt, a place located somewhere on the northeast coast of Africa, where they traded with the inhabitants, bringing back “marvels.”
Despite the apparent success of her reign, and a burial in the Valley of the Kings, her monuments would be defaced after her death, apparently by her co-ruler and step-son/nephew Thutmose III.
The fact that a woman became pharaoh of Egypt was very unusual. “In the history of Egypt during the dynastic period (3000 to 332 B.C.) there were only two or three women who managed to rule as pharaohs, rather than wielding power as the ‘great wife’ of a male king,” writes Egyptologist Ian Shaw in his book "Exploring Ancient Egypt" (Oxford University Press, 2003).
Birth
Hatshepsut, along with her sister Nefrubity, was the daughter of Pharaoh Thutmose I and his wife Ahmose. Thutmose I was a warrior king who launched successful campaigns into Nubia and Syria, expanding the territory under Egyptian rule.
After Hatshepsut became co-ruler of Egypt, she claimed to be of divine birth, the result of a union between her mother and the god Amun. She also claimed that Thutmose I had named her as his successor before his death.
“Underscoring her claim, one of the reliefs decorating Hatshepsut’s enormous funerary complex depicts Thutmose I crowning her daughter as king in the presence of the Egyptian gods,” write Helen Gardner and Fred Kleiner in "Gardner’s Art Through the Ages: The Western Perspective" (Cengage, 2010).
Queen to Thutmose II
After the death of her father, the Egyptian throne passed to Thutmose II, Hatshepsut’s half-brother and husband. In ancient Egypt, it was not unusual for royalty to marry within their family. Like his predecessor, he fought in Nubia. “The Egyptian army continued to quell uprisings in Nubia and brought about the final demise of the kingdom of Kush at Kerma,” writes Betsy Bryan in a section of "The Oxford History of Ancient Egypt" (Oxford University Press, 2000).
In their personal life, the couple had a daughter named Neferure who would go on to assume royal duties. She “appears during her mother’s reign officiating as ‘God’s Wife of Amun’...”writes Michael Rice in "Who’s Who in Ancient Egypt" (Routledge, 1999).
Regency and elevation to pharaoh
With the death of Thutmose II, the throne fell to Thutmose III, a step-son and nephew of Hatshepsut. He was, however, a child and unable to rule Egypt, leaving Hatshepsut to serve as regent. She did this for three years until, for reasons unknown, she became a pharaoh in her own right (although technically a co-ruler with Thutmose III).
She took on a full throne name, and statues were created depicting her as a male king, right down to the beard. However, she did allow some feminine traits to come through. “Although for most of her reign Hatshepsut was depicted with the traditional image of a male king, the names that she used as king were formed with grammatically feminine participles, thus openly acknowledging her female status,” write Gay Robins in a 1999 article in "The Journal of Egyptian Archaeology."
In addition, University of Toronto Professor Mary-Ann Pouls Wegner, whose team found a wooden statue at Abydos that may be of Hatshepsut, notes that her waist was depicted as being somewhat slimmer than her male counterparts.
"Even though she was portrayed as a man in her [statues], oftentimes they did give a nod to her female physique by making her waist narrower," she is quoted as saying in a LiveScience article.
In addition, Hatshepsut appears to have taken care to cultivate loyalty and obedience among officials. Bryan notes that there was a “sudden increase in large decorated private tombs” at Luxor and Saqqara, and an inscription carved in her temple at Deir el-Bahari reads “he who shall do her homage shall live; he who shall speak evil in blasphemy of her Majesty
The poet describes the leaves as having a color like blood in the first stanza to add to the murderous answer forbidding tone of the poem. The poem is about a child drowning, and so the word blood foreshadows the dark events later in the poem
