Answer: Art for art’s sake, a slogan translated from the French l’art pour l’art, which was coined in the early 19th century by the French philosopher Victor Cousin.
Answer:
His poetic form had to be able to channel what he saw as the poetry inherent in all the infinite activities of life. It's little wonder, then, that he found it necessary to invent a poetic form—free verse—that could give him the freedom to achieve those ends.
One of the important purposes of nineteenth-century American speeches was to aid in understanding the experience of slavery from a personal point of view. In Sojourner Truth’s speech to the Women’s Convention in Akron, Ohio in 1851, she discusses both the abolition of slavery and women’s rights. During Truth’s life, enslaved people of African descent were denied basic human rights. At the same time, women were denied the right to vote or hold a political office. Women only had very few rights to property or earnings.
The poetic version of Truth’s speech emphasizes the painful experience of African American women who were enslaved. The phrase “13 children,” “almost all,” “cried out” and “grief” appeals to the reader’s emotions to create an aesthetic experience. Through this emotional response, the speaker conveys the central idea of the poem as being the importance of equal rights for African Americans and all women.
It increases the pace of a poem, as it makes the reader read each line without a pause. This makes the poem more fast-paced. This in turn gives the poem a sense of urgency and tension, and sometimes a more cheerful, joyful mood, as these are things that are associated with fast-paced speech.
