The effect is the same because the amount of salt isn't going to decrease the amount of time it takes .
<span>The words he has chosen which are "difficult, force, crooked, struggling, tangled, fallen, fear, faint, and hungry", shows that he is going through quite a scary and tricky time, but it was hard for him to pass that swamp, and you can see he chose excellent words on how his journey was like. Plus the words " struggling, fear, and hungry", shows what difficulty he is going through and you as the reader imagine yourself in that position and you would feel it all scary on how he is experiencing it.</span>
Answer:
The subject and predicate make up the two basic structural parts of any complete sentence.
Explanation:
The two forms of satire are Horatian Satire and Juvenalian Satire. The first kind of satire employs mockery as its primary devices and accompanies adoration for the people being mocked. While, on the other hand, the second type of satire conveys an indignant tone and harshly ridicules its subject of satire.
Pope’s magnum opus The Rae of the Locke is the best example of Horatian satire. This wonderful creation by Pope conveys the style of mild mockery and indulgence in the society. In this epic poem, he parodies social shortcomings that accompany most of the individuals in the social world. His tools expose the absurd and foible attributes that prevail in within humanity.
Moving on, The Modest Proposal by Swift exemplifies the harsh, sneering satire of the second type. In this work of art, Swift acts directly on the menace he dislikes. He conveys his ideas by being outrageous and deplorable in his statements and suggestions in the book. For example, he mentions in his book that some individuals would be utilized as food in Ireland, which shows his direct and offensive approach in writing.
To conclude, the difference in both writers’ style is their approach to the readers, in which they present their thoughts, is obvious. While Pope utilizes mild tone and mocks gently, Swift acts like an indignant satirist with a direct revolutionary advancement of statements. Both portray all the needed attributes of Horatian and Juvenalian satire, respectively.
