B: The answer to your question is B
The person arranging it. for instance, if a friar was to arrange it, he probably won't know much about floral arrangements and thus may not take precautionary measures. Only YOU can prevent florist friars.
The oldest form of printing was probably Woodblock Printing, and can be traced back to 200 BCE. The process most likely originated in East Asia and China <span>in antiquity as a method of </span>printing on textiles<span> and later </span>paper<span>. Woodblock printing is now used as a form of art, since most homes have an easier form of printing. The Ancient Peoples would carve their message or drawing into a piece of wood, most likely softer woods for easier carving. Imagine this design as a stamp. They would then dip the carved side of the wood into ink or an ink like substance and press it on the desired surface. This was how most ancient books and scrolls were made. Then of corse, there were hand-written documents, but the Woodblocking process was by far the easiest.
Hope this helps!!
Good luck!</span>
The term would be “Chromatic”
The Tower, by Robert Delaunay
The cubist artist Robert Delaunay was fascinated by the Eiffel Tower, and during his life he painted the famous French tower time and again, as you can see below:
Robert Delaunay
The Tower
(1911) (inscribed 1910)
Ink and pencil on paper
21 1/4 x 19 1/4" (53.9 x 48.9 cm)
The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund
As the world’s tallest monument at the time, the Eiffel Tower was for Delaunay a symbol of both modernity and masculinity, and he depicted it time and again. He was among the first artists to focus on this Parisian landmark as a subject. Rather than represent the Eiffel Tower from one view, Delaunay’s drawing uses rhythmically placed lines and patterns to capture his experience of the tower from multiple perspectives.
The drawing is an example of Delaunay’s engagement with the dynamic architecture of Paris at the turn of the 20th century. The Eiffel Tower was just one of the exciting public projects undertaken during an era that would later be described as the Belle Époque (French for “beautiful era”). In comparison to the horrors of World War I that would follow it, the Belle Époque was a time of peace, invention, and intense art production for France and its neighbors.