Answer:
percy jackson
Explanation:
Because He like the water like i do and he likes to help those in need like i do so i will have to go with him.
Hello. You forgot to enter the answer options. The options are:
A) Not all men enjoy freedom even in this democratic country.
B) Liberty in a democratic government is an important value.
C) Women cannot enjoy the country’s freedom without the right to vote.
D) The right to vote is one of the blessings of liberty in a democratic country.
Answer:
C) Women cannot enjoy the country’s freedom without the right to vote.
Explanation:
Anthony contra argues the idea that women have freedom within democracy, claiming that what guarantees a citizen's freedom and rights is the vote. If the vote is denied to women, it means that they have no freedom whatsoever and that their rights will not be guaranteed, since the vote is the security of citizens and the guarantee that the State will work in their favor. Without this guarantee, women are captive, limited and without rights.
If you are trying to write a thesis for a compare-and-contrast character analysis essay, you might ask yourself: How do these characters' tales intersect or diverge<span> in tone, content, or theme?
I think B is the most appropriate due to the content given below</span>
Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
