The given phrase is taken out from the commonlit and is the correct one.
<u>Explanation:</u>
Expectation handles at a straw, and it was very with regards to the state of Martha's brain that she should open her ears and her heart when they advised her of the superb works of the confidence fix man. Individuals had gone to him on braces, and he had contacted or scoured them and they had left away entirety. He had gone to the homes of the incapacitated, and they had ascended to favor him.
It was so natural for her to trust everything. The main religion she had known, the wild, enthusiastic religion of a large portion of her race, put her credulity8 to more grounded tests than that. Her lone inquiry was, would such a man go to her humble9 room. Be that as it may, she set aside even this idea. He should come. She would make him. As of now she saw Lucy solid and running about like a mouse, the delight of her heart and the light of her eyes.
In his essay "The Importance of a Single Effect in a Prose Tale," Poe writes that he unifies a piece of writing around mood. He writes not primarily to develop a plot or a character but to convey a feeling or what he calls an "effect."
Most often in his stories, Poe wishes to convey a mood or "effect" of horror. He does this through description and imaginative details that relentlessly build up a sense of unsettling terror. For example, in "The Cask of Amontillado," the reader's awareness that Montresor is plotting revenge and the piling up of creepy details about the cold, damp, bone-filled catacombs through which he leads Fortunato builds a mounting sense of tension and deep unease. Similarly, the ebony clock that stops everyone cold when it ominously tolls the hour in "The Masque of the Red Death," reminding people of their mortality in the middle of a deadly plague, contributes to a sense of horror.
Poe also tightens his effects by using a claustrophobic writing style focused on very few characters and often narrated by a person who is troubled or unstable. Poe sometimes horrifies us by putting us into contact with a fevered mind trying to justify its heinous actions, as in "The Tell-tale Heart," or with a claustrophobic nightmare setting, such as that described by the first-person narrator of "The Pit and the Pendulum.
<span>D. jonathan edwards
</span><span>C. thomas paine
</span><span>A. realism and romanticism </span>
1. <span>the search for religious truth - <u>Christian</u>: the quest of a true Christian is to find God, and thus love and truth
2. </span><span>resistance and the inability to adapt to change - <u>Obstinate</u>: obstinate means stubborn, so this is an obvious answer
3. </span><span>humanity’s weak will and lack of resolution - <u>Pliable</u>: pliable means weak, easy to bend to somebody else's will
4. </span><span>God’s ability to guide humans by sending messengers - <u>Evangelist</u>: evangelists are messengers, so this is again an obvious choice</span>
Answer:
Something that is factual is concerned with facts or contains facts, rather than giving theories or personal interpretations.
Explanation:
