The Scream is a work of remembered sensation rather than perceived reality. Munch’s approach to the experience of synesthesia, or the union of senses (for example the belief that one might taste a color or smell a musical note), results in the visual depiction of sound and emotion. As such, The Scream represents a key work for the Symbolist movement as well as an important inspiration for the Expressionist movement of the early twentieth century. Symbolist artists of diverse international backgrounds confronted questions regarding the nature of subjectivity and its visual depiction. As Munch himself put it succinctly in a notebook entry on subjective vision written in 1889, “It is not the chair which is to be painted but what the human being has felt in relation to it.” While such events and objects are visually plausible, the work’s effect on the viewer does not depend on one’s familiarity with a precise list of historical, naturalistic, or formal sources. Rather, Munch sought to express internal emotions through external forms and thereby provide a visual image for a universal human experience.
https://www.khanacademy.org/humanities/ap-art-history/later-europe-and-americas/modernity-ap/a/munch-the-scream
Explanation:
I don't think there is any answer
Answer:
B. diptych format from the icons of Christianity such as those found in the Byzantine church.
Explanation:
The name of this collection of images is in fact <em>Marilyn Diptych</em>, so you can be certain that B is the correct answer here. The Greek word diptych refers to something consisting of two parts, and was often used in Christian art and churches to refer to a painting in two parts that can close like a book.
Warhol was inspired by this type of art to create Marylin Diptych, which can now be found in the Tate Gallery in the UK.
