The answer to the question is realistic
Answer:
MLA=Modern Language Association,
format=The Modern Language Association (MLA) specifies a standard format for essays and research papers written in an academic setting: One-inch page margins. Double-spaced paragraphs. A header with author's last name and page number one-half inch from the top of each page.
B) When the author Henry James finally met the author Edith Wharton, the two "began a friendship that lasted the rest of their lives" (Cleghorn 44).
or
C) When the author Henry James finally met the author Edith Wharton, the two "began a friendship that lasted the rest of their lives" Cleghorn, (44).
Answer:
The Census Bureau lets individuals self-identify. Since the 2000 count, people have been permitted to check multiple boxes for race or ethnicity. But history has shown a wide variance in how people of different backgrounds come to be identified as part of ethnic groups.
Notably, the issue of racial identity surfaced recently following the fatal shooting of Florida teenager Trayvon Martin, who was African-American. The boy's shooter, George Zimmerman, initially was identified as white, prompting accusations that he racially profiled Martin. Once it was reported that Zimmerman's mother is Latino and his father is white, he was identified as Hispanic and later as white Hispanic.
The early 20th century's "one-drop rule" stated that a person with a single drop of African blood in their lineage was considered black, and the classification was used for discriminatory purposes.
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The Balinese production of The Tempestuses shadow puppetry to display an interpretation of William Shakespeare’s famous work. This alternative form of performance focuses more on the fluidity, or sharpness, of the characters’ movement. When analyzing Ariel in this form, it is very apparent that her actions are very projected compared to other characters, by the excess movement of her arms and fingers. However, this projection is shown not with velocity in motion, but with a very smooth complexion in Ariel’s movement. This emphasizes the fragility of her character by connecting her to something very easily tampered with, like the smoothness of still water, that changes with something even as soft as a breeze. The Balinese play also uses the clever technique of utilizing their lighting as a form of portraying Ariel’s character, by physically moving the actor towards and away from the light in order to change the size of the shadow shown. This was well utilized by not only Ariel, but the entire Balinese cast. When Prospero manipulates Ariel into believing that her deed was an act of gratitude for releasing her from her imprisonment, the cast makes Prospero noticeably larger in size and Ariel noticeably smaller. This adds dynamic contrast to the characters and allows the audience to view Ariel as much more timid and frail, as well as Prospero much scarier and evil.
