African mythology covers a vast area. The African continent includes so many countries, regions, languages, tribes, cultures and crossovers that the sheer diversity of prevailing Gods would seem overwhelming if there weren’t a few handy shortcuts.
Traditional African belief is overwhelmingly monotheistic. There may be spirits and ancestors floating around, but there’s only one God. Early missionaries made a complete pig’s ear of their research in this respect and seem to have delighted in cataloging as many ‘heathen’ Gods as they could possibly get away with.
African Creator Gods seem to follow a distinctive pattern — they are all extremely dissatisfied with their creations. There is much shaking of heads, turning away in sorrow and avoidance of contact. The humans are left to fend for themselves. Attempts to regain contact with their God by building a heavenly ladder are the subject of many an unhappy legend. On the whole, African Gods don’t like to be pestered, and humans have to learn to be content with their lot.
But while God sits in Heaven wringing his hands in despair, the ancestral spirits are very willing to take an active part in Earthly life. These are mostly into hunting and other practical subjects — with food, sex and booze as popular as always.
There is a remarkable innocence about the Gods of Africa. They seem naive and unworldly, believing the best of everyone and optimistically giving the benefit of the doubt to all and sundry. No wonder they are rudely disappointed when it turns out their badly-chosen favorites are up to no good.
Even communicating with their creation is full of problems. Vital messages of life and death are entrusted to whichever farmyard animal happens to be passing, and the resulting garble is likely to have profoundly unforeseen — and usually disastrous — consequences...
Please mark Branliest. I need it.
Answer:
I think that the answer should be the women's jackets.
ADVERB, hope I could help!
The translation - " Why don't you have a girlf.riend? "
Answer and Explanation:
Doane Hoag and Jules Dassin were very faithful to Poe's narrative and presented the work as Poe wrote, but with visual and auditory effects that may have changed the meaning of the work for other people. I don't particularly believe that they added new meanings, but they intensified those reported by Poe. That's because the soundtrack, the play of light and shadow, the expression of the actors show the madness, the insanity, the cruelty, the torture and the folly of the story. In the film, the meaning of these things gets much stronger, because we can see Poe's words come to life and leave the role becoming something real. This was masterfully done by Doane Hoag and Jules Dassin.
