Answer:
Musicologists and Ethnomusicologists
Explanation:
Someone who studies how people make and listen to music in various cultures is a Musicologists or Ethnomusicologists.
If the house is this: <span>http://media.education2020.com/evresources/4002-06-02-04-00_files/i0170000.jpg
then the ans is </span><span>c. the roofs and terraces that jut out
</span>
Answer:
First, we have to understand that the concept of "spiritual" is different from culture to culture and especially, time after time. Anyway, the "spiritual quest" in Gilgamesh can be sum up into three stages:
- The identity of the character - Who am I?
- The purpose of his life - What should I do?
- The meaning of life or happiness - What fulfill me?
Gilgamesh's quest involve answer these questions, and find a way to explain himself. That's why we can describe his journey as a spiritual quest. The journey he undertakes, if separated into the Stages of Soul, then we have:
- Call - Gilgamesh fells that must seek the plant of immortality
- Search - He and Enkidu undertake an adventure to find the plant
- Struggle - several monsters and obstacles, but also, Enkidu's murder by the envy gods. Gilgamesh must continue the quest without his friend.
- Breakthrough is painful, and Gilgamesh loses the plant.
- He returns home with the conviction of his mortality.
Maybe the better answer to the message of this tale is that life is precious, and you must live plenty. You see, Gilgamesh was a futile and lazy king, but also vicious and violent. He was wasting his life, so he finally realizes it's importance, but also learn that loneliness is painful. He never care about anyone but him. When Enkidu dies, he understands the value of a friend.
Explanation:
The Epic of Gilgamesh is a classic tale of return carrying a message that was obtained through terrible grief and struggle. But also, a personal point of view of the human soul.
An invisible line, known as the 180 DEGREE LINE or AXIS OF ACTION, runs through the space of the scene. The camera can shoot from any position within one side of that line, but it may never cross it. This convention ensures that the shot will have consistent spatial relations and screen directions.
shea.mit.edu › glossary › filmlexicon
Untitled Document