The Catacombs of Priscilla is a holy burial for the Priscilla family in their villa and the early Christian community. There's many depictions of the testaments focused on the teachings of Christ.
In one scene there is a Roman painting of a woman in a veil which is actually the same woman painted continuously 3 times alongside, in reference to the deceased woman buried in that space. On the left and right the woman is satisfying the testaments teachings for salvation.On the left she is being married with a seeded bishop officiating symbolizing marriage
. To the right we see her seated in the chair nursing - which chair was the chair used for childbirth symbolizing motherhood
. Ultimately, In the center she is in a pose called arrant which is a pose of prayer to represent the woman in the afterlife resurrected looking upward, referring to her holy salvation.
To suggest that all Western literature is no more than a footnote to the writings of classical Greece is an exaggeration, but it is nevertheless true that the Greek world of thought was so far-ranging that there is scarcely an idea discussed today that was not debated by the ancient writers. The only body of literature of Ancient Greeks<span> made many influential </span>contributions<span> to </span>western<span> civilization such as in the areas of philosophy, </span>art<span> and architecture, and math and science. The </span>ancient Greeks<span> have made many of art.
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Hi the answer is B. down syndrome
Answer: Hope this helps!
Explanation:
"Energy is about how the movement happens. Choices about energy include variations in movement flow and the use of force, tension, and weight. An arm gesture might be free flowing or easily stopped, and it may be powerful or gentle, tight or loose, heavy or light. A dancer may step into an arabesque position with a sharp, percussive attack or with light, flowing ease. Energy may change in an instant, and several types of energy may be concurrently in play.
Saying that a dance "has a lot of energy" is misleading. ALL dances use the element of energy, though in some instances it may be slow, supple, indirect energy - not the punchy, high speed energy of a fast tempo dance.
Energy choices may also reveal emotional states. For example, a powerful push might be aggressive or playfully boisterous depending on the intent and situation.
Some types of energy can be easily expressed in words, others spring from the movement itself and are difficult to label with language. Sometimes differences in the use of energy are easy to perceive; other times these differences can be quite subtle and ambiguous. Perhaps more so than the other elements, energy taps into the nonverbal yet deeply communicative realm of dance. "