I could Copy and Paste it to you.
Once upon a time a few mistakes ago
I was in your sights, you got me alone
You found me, you found me, you found me
I guess you didn't care, and I guess I liked that
And when I fell hard you took a step back
Without me, without me, without meAnd he's long gone when he's next to me
And I realize the blame is on me'Cause I knew you were trouble when you walked in
So shame on me now
Flew me to places I'd never been
'Til you put me down, oh
I knew you were trouble when you walked in
So shame on me now
Flew me to places I'd never been
Now I'm lying on the cold hard ground
Oh, oh, trouble, trouble, trouble
Oh, oh, trouble, trouble, troubleNo apologies. He'll never see you cry,
Pretends he doesn't know that he's the reason why.
You're drowning, you're drowning, you're drowning.
Now I heard you moved on from whispers on the street
A new notch in your belt is all I'll ever be
And now I see, now I see, now I seeHe was long gone when he met me
And I realize the joke is on me, yeah!I knew you were trouble when you walked in
So shame on me now
Flew me to places I'd never been
'Til you put me down, oh
I knew you were trouble when you walked in
So shame on me now
Flew me to places I'd never been
Now I'm lying on the cold hard ground
Oh, oh, trouble, trouble, trouble
Oh, oh, trouble, trouble, troubleAnd the saddest fear comes creeping in
That you never loved me or her, or anyone, or anything, yeahI knew you were trouble when you walked in
So shame on me now
Flew me to places I'd never been
'Til you put me down, oh
I knew you were trouble when you walked in (you were right there, you were right there)
So shame on me now
Flew me to places I'd never been
Now I'm lying on the cold hard ground
Oh, oh, trouble, trouble, trouble
Oh, oh, trouble, trouble, troubleI knew you were trouble when you walked in
Trouble, trouble, trouble
I knew you were trouble when you walked in
Trouble, trouble, trouble
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Answer:
A composer or a performer can add expression to his music by bringing out deepest feeling into it. A composer may express emotion by introducing two methods, allegro con brio and adagio cantabile, which means by playing fast or slow. A composer may also use pitches and rhythms which would be in his personal preference to bring out the passion excitement towards the audience.
