The Oval Portrait is a story by American writer Edgar Allan Poe, involving the disturbing circumstances of a portrait.
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hat is the Oval Portrait about?</h3>
The Oval Portrait" is the shortest of Poe's published stories. It concerns a man who spends the night in an abandoned house that he has not visited before. He becomes fascinated by a portrait of a young woman that he sees there.
The Oval Portrait symbolizes the danger of trying to capture and exert ownership over physical beauty.
The central theme of the short story The Oval Portrait is the relationship between life and art. This story has shown the destructive power of art and love.
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Answer: It uses inductive reasoning based on specific examples of people living this way.
Explanation:
Answer:
C. Argues that diverse audience will interpret the same information differently.
Explanation:
The cultural approach interrogates the representation of shared beliefs and presents communication as a process that produces, maintains, repairs and transforms reality. This approach provides the lenses to look at the mass communication in a disarmingly simplistic manner and thus, making it a wonderful experience. It argues that reality does not change but it is the perceptions of people that change with time and treats the beliefs as secondary. Thus, it argues that different people will interpret the same thing differently owing to their distinct perceptions and neglects the realities to be encompassing and suggests that the reality is different for different people and there is no 'single' reality. The cultural approach portrays mass communication in a different light. Thus, it argues that different people will interpret the same thing differently owing to their distinct perceptions.
Answer:
Rosetta Stone, Egypt
Explanation:
Discovered in Rosetta, Egypt by a French officer in 1799, this 2,200-year-old black basalt stone is now a famous artifact is inscribed in hieroglyphic, demotic and Greek and is believed to hold the key to deciphering hieroglyphics and Egypt's past. The stone was acquired by the British when they defeated the French in 1801, and transferred it to the British Museum in London in 1802. Although Egypt has continued to push for the stone's return, the British Museum refuses to budge.
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