Why bullying makes a person feel bad.
This is the best answer. Option A is wrong because neither text describes how much bullying happens. We'd expect numerical data if that were the case, and there isn't any. Option B is wrong because it doesn't name any of the bullies that targeted Jaylen. Option D is wrong because it doesn't say anything about how he tries to stop bullying. Option C is the only possible correct answer because it does show that words are worse than a fist or punching and kicking.
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Look for an example of a simile or metaphor within chapters 7-9 of The Autobiography of an Ex-Colored Man. Write the example in the space below, indicating the chapter it is from and what is being compared. What does this simile or metaphor do in the text? In other words, how does it help the reader?
A reader who has not been told that James Weldon Johnson’s The Autobiography of an Ex-Colored Man is a novel can be forgiven for not knowing how to classify it. When it was first published, anonymously, in 1912, the book included a preface from the publisher, written almost exactly as Johnson proposed, that described it as a “new picture of conditions brought about by the race question in the United States” (p. xxxiii). The preface suggests that what follows is a sociological study. But in the novel’s first paragraph, the unnamed narrator tells us that he is “divulging the great secret” of his life, moved by “the same impulse which forces the un-found-out criminal to take somebody into his confidence” (p. 1). This beginning prepares us for a confessional narrative such as those by St. Augustine or Jean-Jacques Rousseau. Exemplifying the capacity of novels to absorb other genres, The Autobiography of an Ex-Colored Man is a sociological study in terms of its analysis of the dynamics of race, class, and geography, and a confessional narrative, albeit a fictional one. But it is as a novel that Johnson’s book engages us most urgently, in that the story of its narrator’s life is ultimately a plea for the reader’s understanding.
The prefix a- means not, so it probably means it's not synergic.
The painting contains both internal and external conflict. External conflict exists between the strong lion and the comparatively weaker antelope. The antelope has no chance to win against the hungry lion. This conflict is similar to the conflict between animals of prey and the hunters Zaroff and Rainsford in “The Most Dangerous Game.” Armed with guns, these hunters enjoy hunting down their relatively defenseless prey. This conflict also exists between Zaroff and the humans he hunts. They stand no chance against him, with his knowledge of hunting and the geography of the island.
In the external conflict between Zaroff and Rainsford, Rainsford can be compared first to the antelope and Zaroff to the powerful lion. Zaroff almost kills Rainsford. However, later, when Rainsford gets back to the chateau to challenge Zaroff, the tables turn. Now Rainsford is more like the lion and Zaroff the antelope.
The panther represents internal conflict. It is hungry and wants the antelope, but it is too scared to approach the prey while the lion is devouring it. The panther seems torn between the need to eat and the need to stay safe from possible physical harm from the lion. In the same way, Rainsford experiences internal conflict. As he is contemplating whether to jump into the sea, he is torn between his need for adventure and his need to stay alive.
The birds of prey are similar to Ivan. They appear to be opportunists who steal a shred of meat from the antelope that the lion has chased down and killed. Ivan is also an opportunist. He satisfies his savage needs by torturing Zaroff’s victims.
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The rules of inference (also known as inference rules) are a logical form or guide consisting of premises (or hypotheses) and draws a conclusion. A valid argument is when the conclusion is true whenever all the beliefs are true, and an invalid argument is called a fallacy as noted by Monroe Community College.