Styles and genres are the primary, but not exclusive, agents of hybridity. The resulting combinations emerge in a variety of ways and with varying degrees of the prominence of the identities involved.
<h3>What exactly is music hybridity?</h3>
Hybridity is a term used to describe musical mixtures that are explicitly entwined in identity politics, most often involving racial and ethnic identity, and their cultural effects.
Thus, Styles and genres are the primary, but not exclusive, agents of hybridity.
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It was painted as an immediate reaction to the Nazi’s bombing of civilians
Answer:
Rihts and duties are closely related and cannot be separated from one another .
Explanation:
Because the both go side by side, these are two side in the same coin.If the states gives right to life to a citizen , it also imposes an obligation on him not to expose his life to danger and to respect his eldders.
Answer:
The iconoclastic crisis constitutes one of the most fascinating historical processes of the Byzantine Empire. Iconoclasm is understood as the doctrine and attitude of those who reject the cult of sacred images, which was created in the 8th century byzantine. Today, the meaning of the term has been extended to conduct that fails any authority, model or norm without complying with religious images.
Explanation:
Iconoclasm was one of the deepest crises in the Byzantine Empire. The conflict over images affected Byzantine social life. In this context, the iconoclasm is not just a mere rejection, but the destruction of sacred representations as a religious policy adopted by Emperor Leo III. This emperor took the throne in 717 when he went to Constantinople against the current emperor Theodosius III.
The iconoclastic complaint was a conflict that affected the entire Byzantine society from the imperial policy of Leon III regarding the destruction of religious icons and the persecution of those who worshiped. It should be said that the Byzantine religious life had reached very high in liturgical and ceremonial formalities. The icons become a kind of "magic objects" with miraculous qualities, instead of certain mere representations for the worship of the only deity. Usually, in the year 730 an edict was promulgated and the icons were banned and feelings were destroyed.
ANSWER THIS QUESTION IN A LONG PARAGRAPH. 1. What can you see? What is happening? What does is represent? Does the name of the artwork (Fallen bird) help describe the artwork? Is there a theme in the work?
The appearance of the fallen bird is striking to your heart, you cannot believe that something so beautiful can be so depressing. the contrast of the colors and the black and white is subtly denting my composure. I interpret this artpiece as a mental state, you feel like you were once a bird, soaring high above with no problems, but on the ground you are utterly helpless. This also may be a metaphor for childhood, like the saying 'leaving the nest', like a bird, you leave your mother's arms and "fly" out on your own. Only some make it.
The theme I see is the bird. The bird is the brightest thing, and yet the most deafening.
