A and b are both important when revising a document. I would personally put A. Its prioritized over grammer.
Hope this helps!!!
His reflection. To call a man a beast, one must see through his heart.
The answer is:
Krogstad tries to blackmail Nora into getting Helmer to keep him at the bank by exposing her forgery.
In "A Doll's House," by Henrik Ibsen, Krogstad has lent money to Nora illegally and secretly to pay for her husband's health treatment in Italy. As a consequence, when Torvald wishes to dismiss Krogstad from his job at the bank, the latter demands to Nora that she persuades her husband so that he can keep his job, and threatens to write a letter to Torvald revealing his wife's fraud.
Answer:
Dynamic Character
Explanation:
A dynamic character is a character who undergoes significant internal change throughout the course of a story.
This question is missing the options. I've found the complete question online. It is the following:
Read the excerpt from Act III of The Importance of Being Earnest.
Jack- Pray excuse me, Lady Bracknell, for interrupting you again, but it is only fair to tell you that according to the terms of her grandfather’s will Miss Cardew does not come legally of age till she is thirty-five.
The best conclusion that can be drawn from Jack’s words is that he is ______.
A) Arrogant
B) Mannerly
C) Religious
D) Impatient
Answer:
The best conclusion that can be drawn from Jack’s words is that he is B) Mannerly.
Explanation:
<u>Mannerly is an adjective used to refer to someone who is polite or well-mannered. After reading the excerpt, we can safely say Jack is a mannerly person. He apologizes for interrupting Lady Bracknell. Furthermore, instead of being harsh or straightforward, he uses words that indicate he respects her - "it is only fair to tell you."</u> Had he simply interrupted Lady Bracknell and said "But Miss Cardew does not come legally of age till she is thirty-five," he would not have been mannerly at all.
"The Importance of Being Earnest" is a play by Oscar Wilde in which the characters create fictitious personae (pretend to be someone else) to escape social obligations they consider heavy or boring.
