A major difference between the Sir Arthur Conan Doyle's original story "The Adventure of the Speckled Band" and its film version relates to the story's setting. In the original story, we see Holmes and Watson meeting with Helen Stoner in their shared 221B Baker Street apartment. In the film, Holmes works in a modern office equipped with the latest technology. However, the setting of the crime scene is the same in the original story and in the film. It takes place at Stoke Moran. The Adventure of the Speckled Band tells one of the cases of the detective Sherlock Holmes, the investigation of a mysterious death and the suspicioun that someone else might die under the same circumstances. Both the book and the adaptation follow the plot, diverging mostly on the resources Holmes has at his disposal, like a mordern office with secretaries in the adaptation and only a simple apartment in the book.
<span>Macbeth's footsteps must be stealthy. Stealthy means an act of being cautious for the person's act to be not seen or heard by someone else. In the sentence, Macbeth wanted to walk without waking anyone in the castle so he must be stealthy in his action.</span>
The number 3 is everywhere in Dante Alighieri's Divine Comedy<span>. For one thing, the poem itself is structured according to the rhyme scheme terza rima, which uses stanzas of three lines that employ interlocking rhymes (aba bcb cdc, etc.). Additionally, there are nine circles of Hell (three multiplied by three), Satan has three faces, and three beasts (a lion, a leopard, and a wolf) threaten Dante at the beginning of the Inferno. There are many more examples of three, but the overall important thing to understand is that the number three largely governs the structure of Dante's poem. Indeed, you can think of the number three as the scaffolding on which the rest of the poem's content is hung. This number is significant because three is a central number in the Judaeo-Christian tradition, especially in terms of the Trinity (Father, Son, and Holy Spirit). As such, just as the whole of the Christian world is governed by a three-in-one God, Dante's poem is governed by the number three. Thus, Dante's obsession with the number three mirrors the prevalence of three in the Christian tradition. </span><span />