Answer:
Sahaptin nations came into direct contact with whites several decades before the arrival of the members of the American Board of Commissioners for Foreign Missions (ABCFM). These relations set expectations among the Cayuse for how exchanges and dialogue with whites would operate. Primarily the early Euro-Americans engaged in the North American fur trade and the Maritime fur trade. Marine captains regularly gave small gifts to indigenous merchants as a means to encourage commercial transactions. Later land-based trading posts, operated by the Pacific Fur Company, the North West Company and the Hudson's Bay Company, regularized economic and cultural exchanges, including gift giving. Interactions were not always peaceful. Native Americans suspected that the whites had power over the new diseases that they suffered. Reports from the period note that members of the Umpqua, Makah, and Chinookan nations faced threats of destruction through white-carried illnesses, as the natives had no immunity to these new infectious diseases.[4] After becoming the premier fur gathering operation in the region, the HBC continued to develop ties on the Columbian Plateau.
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Answer:
true
Explanation:
The territory was officially declared on August 1, 1861, following the Confederate victory at the Battle of Mesilla. ... In July 1862, the government of the Confederate Territory of Arizona relocated to El Paso, Texas.
Answer:
If i have a product that i made a lot of then i have the supply. But if nobody wants the product there is no demand.
Like the ps5 for example. The demand is very high but the supply is very low.
I’m so sorry if it’s wrong but I believe it’s either between... the first option- move toward more or the 3rd option- cautiously embraced. But if I were to choose which one I think I would go with the 1st option as my answer
Answer: move toward more
Explanation: Because of nearly all composers use dissonance in their music. Without dissonance, there would be no tension and release in music and it would all be VERY boring and bland. Dissonances are nothing new at all and certainly not restricted to the 20th century; in the 14th and 15th centuries these could be quite harsh and not always resolved in the way we would expect today.
Dissonance adds expression to music and as composers' techniques became more and more sophisticated, so did the harmonic language. Dissonance can be used for musical 'colour' and to create extreme tension and drama in music.
In short, composers in the 20th (and 21st) century used dissonance for very similar reasons to composers in every other century.
According to yahoo.com
