Answer:
You are finishing resources faster than we can make them.
Explanation:
Assuming this is a metaphor, eating more than what you can produce means that you're eating more than you can make.
Sorry if that explanation is a bit difficult to understand.
Answer: They change the mood of the play in that they bring topics such as greediness, selfishness and even death. The author immediately builds suspense when these characters enter the play.
Explanation:
The Crucible is a play written by Arthur Miller in 1953. It tells a story about the Salem witch trials in the Massachusetts Bay Colony (1692-93). In the story, Thomas Putnam is a wealthy man who refuses to forgive Francis Nurse from sabotaging Putnam's brother-in-law in his election to the office of minister. Putnam has become rich through accusing people of witchcraft. He is married to Ann Putnam.
The first appearance of the Putnams is in <em>Act I</em>. The author immediately builds suspense around their characters:
"<em>Enter Mrs. Ann Putnam. She is a </em><em>twisted soul</em><em> of forty-five, a </em><em>death-ridden </em><em>woman, haunted by dreams.
"</em>
We find out that Ann has given birth to eight babies, seven of which died. The entrance of Mr and Mrs Putnam, therefore, introduces the topics of death, greediness and selfishness.
Answer:
If I were a servant at Dr. Heidegger's house, I would not at all approve with the people who drank the elixir hoping for all that it promised to have come true, for it is not possible. In fact I would be angry at them for having done so. People who left the house towards the end are utter cowards for giving up so easily when there still was a chance to fight for what they had so strongly believed in up to this point.
Hope that answers the question, have a great day!
(also, please remember to give 'brainliest' if you found this answer helpful :)
Answer:
Four factors are necessary for suspense—reader empathy, reader concern, impending danger and escalating tension. We create reader empathy by giving the character a desire, wound or internal struggle that readers can identify with. The more they empathize, the closer their connection with the story will be.
