Answer:
The inference that can be drawn from "To Autumn" is:
A. Autumn is a peaceful and abundant season, full of natural beauty.
The evidence that supports the answer in Part A is:
A. "Season of mists and mellow fruitfulness . . . Conspiring . . . how to lead and bless With fruit the vines . . . And fill all fruit with ripeness to the core."
Explanation:
John Keats was an English Romantic poet, born in 1795, dead in 1821 at the age of only 25. In his poem "To Autumn", Keats describes the season with vivid imagery, praising its abundance. Especially in the first stanza, Keats describes in detail how fruitful autumn is - how fruits and flowers are abundant. They grow ripe, succulent and sweet, thanks to blessed autumn. Keats does not describe autumn as being inferior to spring. Quite the contrary, he says both seasons have their songs. He also describes the transition from autumn to winter beautifully, peacefully. There is no sadness in his description, but the very opposite, with images of noisy animals, rivers, and winds.
So in a literary analysis essay, you have to analyze, so it would be C) an extensive summary of the plot and answer choice D) Textual evidence to support the thesis.
Answer:
Ignite a fight.
Revise a size.
Remain humane.
Rescue a tenis shoe.
Tame flame.
Microscopic topic.
Precise advice.
Complete athlete.
Explanation:
Sorry I could only do the first one.
C) He gives examples of denied citizenship rights.
Answer:
The best answer is C. Morphemes.
Explanation:
Morphemes are the smallest parts of speech which make sense, such as prepositions like "in", "of", or even prefixes like "de", "un", among others. When people are about to produce sentences they use their "mind data" to put morphemes together in order to produce phrases, words, clauses, sentences with different meanings and contexts. That is the reason for people to replace and/or mistake one phrase and/or morpheme here and there in their speech, because they may change sentence constructions or even word constructions at the real time building.