I would say most of them do
<span>d. symphonies</span><span>
A composer who combined jazz and classical music into a new sound in the 1920s was George Gershwin (1989-1937). He was american pianist and composer. He studied classical music, but later he got interested in popular music genres, and used to compose operas, film music, concerts and symphonies. Gershwin strongly influenced many musicians, and he is considered to be a first exponent of the symphonic jazz genre. His most famous works are orchestral compositions Rhapsody in blue (1924) and American in Paris (1928), as well as opera Porgy and Bess (1935).</span>
Answer: i think this is right
Explanation: When we talk about a melody-first songwriting process, we assume that we’re talking about writing a song where thinking up the melody, or at least a bit of a melody, is the first step. Then once we’ve got a good chunk of that working and sounding good, we then try to figure out what kind of chords are going to support it.
In fact, that’s not exactly the case. Any good musician (songwriter or otherwise) would find it next to impossible — and I might even say undesirable — to work on a melody without having any kind of notion what the supporting chords are. So in fact, a melody-first process means a melody and chords process.
I believe it would be a pattern?
