A grassroots movement is one which uses the people in a given district, region, or community as the basis for a political or economic movement.[1] Grassroots movements and organizations use collective action from the local level to affect change at the local, regional, national, or international level. Grassroots movements are associated with bottom-up, rather than top-down decision making, and are sometimes considered more natural or spontaneous than more traditional power structures.[2]
Grassroots movements, using self-organization, encourage community members to contribute by taking responsibility and action for their community.[3] Grassroots movements utilize a variety of strategies from fundraising and registering voters, to simply encouraging political conversation. Goals of specific movements vary and change, but the movements are consistent in their focus on increasing mass participation in politics.[4] These political movements may begin as small and at the local level, but grassroots politics as Cornel West contends are necessary in shaping progressive politics as they bring public attention to regional political concerns.[5]
The idea of grassroots is often conflated with participatory democracy. The Port Huron Statement, a manifesto seeking a more democratic society, says that to create a more equitable society, "the grass roots of American Society" need to be the basis of civil rights and economic reform movements.[6] The terms can be distinguished in that grassroots often refers to a specific movement or organization, whereas participatory democracy refers to the larger system of governance.[7]
Ancient Egyptian art is the painting, sculpture, architecture and other arts produced by the civilization of ancient Egypt in the lower Nile Valley from about 3000 BC to 30 AD. Ancient Egyptian art reached a high level in painting and sculpture, and was both highly stylized and symbolic. It was famously conservative, and Egyptian styles changed remarkably little over more than three thousand years. Much of the surviving art comes from tombs and monuments and now there is an emphasis on life after death and the preservation of knowledge of the past. The wall art was never meant to be seen by people other than the afterlife for when they needed them.
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San Francisco you said I got right and the answer to my question is Lucy
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1. An artist should break the rules of art when their art work does not sustain the rules or principles of art. For example, if an artist's work had only one principle of art being applied to it.
2. A work of art can be well done but can still be not a great work of art, because even if the artist flew across the world from canvas and then back to where they were for paint, if they studied art for years and years, if they taught art as a subject, it doesn't mean their artwork will be as great as Mona Lisa. It doesn't mean their artwork will impress the audience and it doesn't mean their artwork will follow the simple rules of art. It just means that they spend effort and time on something that it simply, an unexplained disaster, if it is so.
3. The intended audience can look at art in different ways, since most people have different opinions on different topics. There is no certain example or answer for this question.
4. The most important principle of art in this artwork is contrast (element of art is color) since this artwork can be described as vibrant and colorful, it has shades and rays of different colors and it is very "eye-brightening".
5. Artist can learn from criticism. Some criticism is not based on opinions but based on simple facts, so artists should consider listening to critics and the things people say about their artworks.
