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Tems11 [23]
3 years ago
10

What are Ilokano songs about politics and Nationalism? ​

World Languages
1 answer:
lidiya [134]3 years ago
4 0

Answer:

Tagalog and English for your own preference.

"UNKNOWN"

May bagong silang

*There is a new birth

May bago nang buhay

*There is a new life

Bagong bansa, bagong galaw

*a new nation, a new movement

sa Bagong Lipunan

*towards a New Society

Nagbabago ang lahat

*Everything is changing

Tungo sa pag-unlad

*Toward progress

At ating itanghal Bagong Lipunan

*and let us show a New Society

“At kung tayo’y nanahimik

*And if we remain silent

Huwag kayong magalit

*Let’s not get angry

Ang dapat sa atin ay tawagin

*What we deserve is to be called

Mga gago!”

*Idiots!)

"Subalit hindi ganyan

*But this should not be the case

Hindi tayo dapat ganyan

*We should not stay this way

Marami nang nahihirapan

*Many are suffering

Marami nang sumisigaw

*Many are already screaming

Marami nang namimilipit

*Many are wrenching in pain

Maging ako’y nahihirapan

*Even I am hurting

Kaya ako’y sumisigaw

*That is why I’m shouting

Sumisigaw!”

*Screaming!

“‘Di ko matanggap

*I cannot accept

ang laman ng pahayagang

*the contents of the newspapers

Walang laya’t walang bibig

*that have no freedom, no voice

Natatakot magbunyag ng totoo

*Scared to speak the truth

Balitang radyo at telebisyon

*Radio and television news

Panay panloloko!”

*are all deceptions!

And this one to

"LUPANG HINIRANG"

Miscellaneous

Miscellaneous

Lupang Hinirang

Lupang Hinirang

Friendly people

Bayang magiliw

Pearl of the East

Perlas ng silanganan

The flame of the heart in your chest is alive

Alab ng puso sa dibdib mo'y buhay

Lupang Hinirang, the cradle of the brave

Lupang Hinirang, duyan ka ng magiting

To the oppressor, you will not be oppressed

Sa manlulupig, di ka pasisiil

In the sea and mountain breeze

Sa dagat at bundok na simoy

And in your blue sky

At sa langit mong bughaw

Success shining

Tagumpay na nagnininging

That star and sun

Ang bituin at araw niyan

It will never get dark

Kailan pa ma'y di magdidilim

Land of the sun of glory and passion

Lupa ng araw ng luwalhati't pagsinta

Life is heaven in your arms

Buhay ay langit sa piling mo

We are happy when there is an oppressor

Aming ligaya nang pag may mang-aapi

To die because of you

Ang mamatay ng dahil sa iyo

hope it helps you ^ ✓^

PLEASE MARK ME BRAINLIEST

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Rainbow [258]

This poem is one of Marvell's most emblematic poems, reminiscent at times of Vaughan's The Water-fall. The dewdrop becomes a symbol of the human soul, just as in Vaughan's poem, the spray from the waterfall become a sign of the return of the soul to heaven. The same Platonic thought is present in Marvell. Probably the mid-seventeenth century, when both these poems were written, was the time when Christian Platonism had its greatest influence. You can look at this more fully in the analysis of Marvell's The Garden.

Description of the dewdrop

Lines 1-18 describe the dewdrop itself; the remainder of the poem works out the symbolism in terms of the soul's returning to heaven. The dew is ‘orient', that is, from the East, because that is the direction of the dawn. Marvell's point is that, however beautiful its resting place, ‘the blowing Roses', it still stays minimally attached to it (‘scarce touching where it lyes'). Its moisture is a sign of weeping (‘Like its own Tear') because it is ‘so long divided from the Sphear', that is, the sky or the heavens. It is just not in its element on earth, only in the air. Finally the sun takes pity on it and draws it back through evaporation.

Emblem of the human soul

This is an emblem or sign of the human soul, which stems originally from ‘the clear Fountain of Eternal Day', that is, heaven itself. This is also Vaughan's belief, as in Platonism in general, that the soul comes from heaven, and longs to return to it. Orthodox Christian theology does not teach anything about the origin of the soul, so such a belief is pushing at the bounds of Christian belief, without being against it.

A microcosm

‘Remembering still' – this is the source of its sadness, since it remembers loss. But it tries to re-create heaven in preserving its own purity. The drop formation of the dew is again a sign of this: it turns in on itself, trying to absorb as little as possible of the material world. So it becomes a microcosm, ‘The greater heaven in an heaven less', except ‘cosm' derives from ‘cosmos', which means universe, rather than heaven. The reflective language which Marvell uses of the dew-drop - 'Like its own tear' - is a linguistic enactment of the soul shrinking away from involvement in the world.

The other emblematic feature of a drop is that it is transparent and can absorb light as the soul does. And just as the dewdrop is ready to evaporate as soon as possible, so is the soul.

Like manna

The final image is biblical, that of manna, the ‘food from heaven' given by God to feed the Israelites, as recorded in Exodus 16:14-15. The poet has to modify the image considerably, since on his own admission, the flakes of manna turned ‘congeal'd and chill', not an appetising picture! However, it fell like dew and what was not needed, dissolved, evaporated back to heaven.

The verse form is moving towards free verse, though there are loose rhyming patterns. The metre varies between pentameter and tetrameter, with trochees almost as prevalent as iambs.

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