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Dancers should use their eyes to connect with other dancers and the audience. "If they want us to focus on their pointe work, or if it's a romantic feeling in an adagio, then a downcast gaze is OK," says Ferrell. "Otherwise, we want to see their eyes." Standing at barre, dancers should look beyond the person standing in front of them.
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hope it helps? :))
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they are saying that you can do anything and you will always be a champon
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D. political and social dynamics in play at the time the artwork was created.
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Thank you.
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Is something wrong?
May I have brainliest, please?
I do not think they will alert your parents!