I had to take that class... maybe I can help?
Answer:Once you know who your intended audience is and what your purpose is for writing, you can make specific decisions about how to shape your message. No matter what, you want your audience to stick around long enough to read your whole piece. How do you manage this magic trick? Easy. You appeal to them. You get to know what sparks their interest, what makes them curious, and what makes them feel understood. The one and only Aristotle provided us with three ways to appeal to an audience, and they’re called logos, pathos, and ethos. You’ll learn more about each appeal in the discussion below, but the relationship between these three appeals is also often called the rhetorical triangle
Hope this helps! (spent a lot of time on it if you could please give me a brainliest that would be great!
An epic simile is basically a regular simile, but it takes place over the course of several lines in poetry. There is no evidence in the excerpt provided that the correct answer could be a simile, so we’ll rule that option out.
The phrase starting in medias generally means that it’s a somewhat introduction. It can often introduce the story in the beginning, or be a great start if you want to start your story with a flashback. I’d say this is a good answer for the question, but just in case there’s a better one let’s go over the other options as well.
To invoke the muse would be to get inspiration for whatever it is you’re going to start doing. For example, let’s say you’re writing a story, and you have no ‘muse.’ Here you’d ‘pray to the muse gods’ to give you muse, or in another word, inspiration. This is clearly not the answer because the passage is not invoking any muse. They clearly already know which direction they’re taking with the story.
And finally, the use of epithets would be to specifically describing something and/ or someone. Sure, this passage caries descriptive detail, but that’s not its primary focus.
In conclusion, the correct answer to this question is b ) starting in medias res
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- Marlon Nunez