The drawing surface would be delineated using gridded guidelines, snapped onto the wall using string coated in red pigment dust (very much like chalk lines used by modern carpenters). This grid helped the artists properly proportion the figures and lay out the scenes. Scene elements were drafted out using red paint, corrections noted in black paint, and then the painting was executed one color at a time. Even on carved relief, many elements in a scene would be executed only in paint and not cut into the surface. The drawing surface would be delineated using gridded guidelines, snapped onto the wall using string coated in red pigment dust (very much like chalk lines used by modern carpenters). This grid helped the artists properly proportion the figures and lay out the scenes. Scene elements were drafted out using red paint, corrections noted in black paint, and then the painting was executed one color at a time. Even on carved relief, many elements in a scene would be executed only in paint and not cut into the surface.
I'm pretty sure it is B a minor interval, because a note is lowered, it is a minor. Sorry for the wait, had to do some digging in my memory. Good luck!
Answer:
a print can be re-used multiple times, while a painting is a single time creation.
<span>The meter (or foot)
that accounts for the most of "Emily Dickinson," by Wendy Cope is
dactylic meter characterized by an accented syllable followed by two unaccented
syllables ( marked: / ᵕ ᵕ ). She used verse form called double dactyl
as there are two stanzas (each have three lines) written with dactylic dimeter
(line of verse consisted of two dactylic metrical feet). </span>
The best answer is B) <span>flow naturally and smoothly from one to the next.
A legato is a piece in which there is a smooth transition between notes, and notes flow smoothly from one to the next. The word comes from Italian for "tied together"</span>
