The last one. They can't go on and they can't stay where they are. They've got to be on their home asteroid in two weeks which we are to think that there is not enough time to go to earth to get a cruiser and return home in that. Nor can they stay where they are. They know that the miners have taken every ship available. They're caught in a net and there doesn't seem to be any solution.
One is just a statement of the way one of the characters looked. It is a quick observation about the way he looked. "Lean and Hungry" is another way to describe him. If there was a way of getting a ship, the way he looks tells us that he would have found a way.
Two is just a fact that is part of the setting. He's at the biggest port on Mars. Nothing there. How the 2 characters feel about that is more important than where they were. We just have to know that if there is nothing in that city, there's going to be nothing anywhere else on Mars.
Three is close, but four is better because it is more emotional. The second best answer is Three.
Answer:
A. Figurative language
Explanation:
What distinguishes literary nonfiction from traditional nonfiction is figurative language. Verfabula, or literary nonfiction uses literary styles and techniques.
Figurative language is visually descriptive or figurative language, especially in a literary work.
The story focuses on Patol Babu, who is intercepted by his neighbor Nishikanto Ghosh to tell him that his brother-in-law, Naresh Dutt, producer of a film company, was looking for a man with particular characteristics. This person had to be around fifty and had to be short and bald. Patol Babu could not believe it, he never thought that something like this could happen to him at his age. Before his knowledge in the performance and wanting to know more details of his participation, Patol Babu was going to contact Naresh Dutt.
After the offering of the role Patol Babu began to remember his past as an actor when he played in theaters as the main actor. Before he used to live in Kanchrapara and worked in a railway factory. After mute to Calcutta since he had been offered a better position, in which he remained for nine years. During that time he wanted to start again with the performance but it was impossible, the company in which he worked reduced his staff to reduce expenses and Patol Babu was one of them. After that I fight to make a living: from opening a store and working as an insurance salesman.
Finally, Naresh Dutt arrives at Patol's house claiming that Patol was the person who was looking for the role and that he had to go to the Faraday house to start filming at the next day. After Naresh left, Patol told his wife what he had achieved. For his performance he was paid but his passion for the performance was stronger but his wife told him to get scared because we still had nothing materialized.
The next day arriving at the place there were a hundred people and a large production that were already beginning to film. Patol asked Dutt what his dialogue was because he wanted to start practicing and acting as best as possible, so Dutt gives him a sheet that said the word 'oh'. Surprised Patol could not believe what he was seeing, he thought he was being teased. Then he walked away sad from the place. Sitting and thoughtful, he began to remember what his mentor Gogon Pakrashi had said to him at the time: No paper is small and you should be grateful for the opportunity you are given. After that he reconsidered his role and dialogue and started practicing the different ways of saying 'oh'. After practicing he went to the set to know when it was his turn to act. Patol waited and at the time of recording he played his role correctly. He felt that his mentor was proud of him and his performance made him feel so good that he did not need the money in comparison to his satisfaction for acting, so he left the place without the money.
<u>Answer:</u> Victor falls into another sickness
