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The French films of that time offer Omaira a syncopation of a transcendental aesthetic experience, that is, they provide an explanation of human perception and knowledge according to artistic and aesthetic sensibility.
Through the Kantian doctrine of aesthetic judgment, it is possible for Omaira to perceive the autonomy of subjectivity, through the creation of forms and reflection on herself and on her worldview.
Therefore, transcendental aesthetic experiences, such as watching period films, seeing paintings and reading poems help in the external perception of objects, making it possible to sync up a positive experience in Omaira.
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